导演： 罗莎琳德·罗斯/ 编剧： 罗莎琳德·罗斯/ 主演： 梅尔·吉布森/马克·沃尔伯格/杰基·韦佛/安内特·莫翰德鲁/特蕾莎·鲁伊斯/雯特·艾娃·佐莉/阿兰·乌伊/耐德·巴拉米/罗尼·吉恩·贝尔维斯/尼科·尼科特拉/迈克尔·费尔曼/卡洛斯·李尔/安妮·李/博·克利里/文森特·M·比肖内/马克·卡西米尔·戴妮奇斯/詹姆斯·亨特/约翰尼·曼斯巴赫/ 更新： 2025-05-12 12:58:25，最后更新于 1月前 片长： 正片 评价：

简介：World-renowned therapist Phil Stutz sits down for World-renowned therapist Phil Stutz sits down for an unusual, heartfelt session with friend and pati...详情

简介：World-renowned therapist Phil Stutz sits down for World-renowned therapist Phil Stutz sits down for an unusual, heartfelt session with friend and patient Jonah Hill, bringing to life Stutz’s visualization exercises, called The Tools, and sharing how to apply them to pursue “active love.”详情

拳击手斯图尔特（马克沃尔伯格 饰）因受伤而结束了他的职业生涯。从一场死亡车祸幸存后，他决定把握生命第二次机会，立志做一名牧师。 根据真实人物故事改编。[展开全部]　拳击手斯图尔特（马克沃尔伯格 饰）因受伤而结束了他的职业生涯。从一场死亡车祸幸存后，他决定把握生命第二次机会，立志做一名牧师。 根据真实人物故事改编。[收起部分]

World-renowned therapist Phil Stutz sits down for an unusual, heartfelt session with friend and pati[展开全部]　World-renowned therapist Phil Stutz sits down for an unusual, heartfelt session with friend and patient Jonah Hill, bringing to life Stutz’s visualization exercises, called The Tools, and sharing how to apply them to pursue “active love.”[收起部分]

拳击手斯图尔特（马克·沃尔伯格 饰）因受伤而结束了他的职业生涯。从一场死亡车祸幸存后，他决定把握生命第二次机会，立志做一名牧师。<br>根据真实人物故事改编。

简介：拳击手斯图尔特（马克·沃尔伯格饰）因受伤而结束了他的职业生涯。从一场死亡车祸幸存后，他决定把握生命第拳击手斯图尔特（马克·沃尔伯格饰）因受伤而结束了他的职业生涯。从一场死亡车祸幸存后，他决定把握生命第二次机会，立志做一名牧师。根据真实人物故事改编。详情

World-renowned therapist Phil Stutz sits down for an unusual, heartfelt session with friend and patient Jonah Hill, bringing to life Stutz’s visualization exercises, called The Tools, and sharing how to apply them to pursue “active love.”

杰基·韦佛([乌云背后的幸福线])加盟出演马克·沃尔伯格主演的新片[斯图]。罗莎琳德·罗斯自编自导，这也是罗斯的长片处女作，沃尔伯格担任制作人。该片改编自真实故事，为信仰题材，具体情节暂未知。

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. [展开全部]　BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. ''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. Philippine Glimpses[收起部分]