Sarah, 30, single, well educated, likes art, places a voice ad for phone sex, inviting replies from men under 35, sturdy and sensual. Wilbert, a chubby middle aged architect, leaves a message that he is Thomas, 32 and well formed. A week later, she phones. She likes his voice, he likes her laugh, so once a week she phones him (he's not to know her last name, where she lives, or her number). Portraits emerge of humor and sadness. He presses for details of her life and tells her about his work; she wants these Thursday calls to be fantasy and release, separate from the rest of who she is. The film dramatizes these tensions of lies and truth, connection and distance. Written by

来自传奇屏幕作家/制作人John Russo的罕见短片,全球限量50本DVD

Australian headlines screamed "Skeleton Found In Housing Commission Apartment" ... the man had died six months earlier but no-one noticed. The Northcott building is one of Sydney's most infamous buildings - synonymous with suicides, murders and drug deals. But now, Northcott residents are working hard to turn that perception around. This is their inspirational story.

Music video request show for the people of Oxford, England to text in with their favourite songs.

暂无剧情简介

朱承开本为刑事侦缉处警员，然而因为性格火爆与上司不合，愤然辞去了警队的职位，转而成为了保联保安顾问公司调查科经理，后来和相识多年的同事兼好友王一正、高仁一起联手破获过不少难解奇案。事业上颇为不顺的承开在感情上也经历了滑铁卢，他结识了活泼可人的林茜并展开追求，两人之间一直分分合合没有定数。后承开与林茜因误会而分开，一正便顺势赢得美人归。与此同时，承开的前女友宋洛汶也出现在了承开的面前，承开以为两人重遇可和洛汶重修旧好之际，却被洛汶存心戏弄，更因此被牵涉卷入“婚宴毒杀案”。朱承开在经历了种种意外事件之后才发现，在洛汶的背后，隐藏了许多的秘密，而他在追查真凶过程中林茜与一正感情也发生波折，而林茜被卷入了危险的凶杀案之中难以自拔。最后承开选择周丽云后又与洛汶分手，最终大家成为朋友。

900年前、平安京に住む機織り女の香織は宮大工の四郎と結婚したが、四郎は仕事に行ったまま帰ってこず、香織は白髪になっても待ち続け、若い男の血を吸うことで若さを保っていた。時は流れ、妖怪と化して現代まで生き続けた香織は、今でも次々と恋人を取り換えてはその血を吸って生きながらえている。ある日、香織は、900年間待ち焦がれている夫・四郎と瓜二つの男性、城崎と出会う……。

安娜贝尔·塞古拉绑架案曾令整个西班牙在900天时间里疑云笼罩。这部系列纪录片通过此前从未公开的绑架者录音对案件进行了探析

Heik Ernitsa's directorial debut "Encounter" is a humorous story about dreams and reality. "Street" by Valter Uusberg paints a nervous and gloomy picture of the artificial environment of the city. Mati Küti's satirical "Monument" dissects egocentrism in a grotesque tone.

The playful film 1+1+1 shot on classical (old fashioned?) 16mm medium deals with the idea of progress. Progress is an issue that is becoming more and more pressing in these times of crisis developing to crisis developing to crisis – maybe progress of crisis? With a leap in the technologisation of life, but also growing inequalities and various tensions. We love progress, improvements, advances, growth. Is there a space for another loves? The film integrates situational acting with joyful elements of musical with meetings mostly writers and intellectuals in their natural environment. The story progresses through a road movie (sometimes a walk movie) – the journey of three main fictional characters.