Fårö Document 1979 is the ten-year followup to the first documentary Bergman made about his adopted home, Fårö, where he filmed many of his best works and lived until the end of his life

1026사태가 벌어지기 열흘 전, 부산과 마산에서는 뜨거운 민주의 함성이 일었다. 1979년, 유신체제의 심장을 쏘아올린 그 '부마민주항쟁'이 올해로 40년을 맞았다. KBS는 부마민주항쟁 국가기념일 지정 및 40년 특별기획 다큐멘터리 <1979, 부마>를 제작했다.

伊朗的伊斯兰革命、教宗若望保禄二世访问波兰、邓小平领导下的中国开放、玛格丽特·柴契尔引领英国转而投向新自由主义的怀抱，以及苏联入侵阿富汗，这些只是1979年发生的部分重要事件。四十年来，这些事件的影响比以往任何时候都更加明确：中东持续不断的危机、恐怖势力的扩大、中国迅速崛起成为世界强权、无所不在的英国脱欧问题，以及欧盟在世界上的地位。《1979：改变世界的那一年》将1979年发生的全球政治事件与现今的政治生态连结在一起，造就一部充满张力且鑑古推今的纪录片。

《一九七九年度香港小姐競選》請來強大演出嘉賓陣容，歌手李振輝、賈思樂、陳百強送上準決賽歌舞，而張艾嘉、杜麗莎、羅文、林子祥於決賽當晚，合演華麗百老匯式歌舞，梅施麗更表演空人飛人。另一方面，今屆造就了多位演藝明星，當中有鄭文雅、鍾慧冰、鍾楚紅、陳秀珠、韓毓霞等。最後，鄭文雅奪冠及「最上鏡小姐」，成為雙料港姐。而亞軍是吳美麗，季軍是鍾慧冰。

釜（山）马（山）民主抗争（1979年10月16日-10月20日）40周年特辑docu+drama(纪录片+电视剧)

1974年，四届人大召开前夕，“四人帮”组阁，加紧篡党夺权。江城航道器材厂工程师楚戈不顾重兵在身，坚持研制航标灯控制装置。“四人帮”爪牙，厂党委副书记黄轩、副主任庄苹百般阻挠。黄轩不仅派人非法带走了楚戈想要请教的专家沈宁，还拘捕了楚戈。楚戈在审讯室里痛斥了他们残酷迫害共产党员的卑鄙行径。国务院追查此事，楚戈才被释放。黄轩抛出楚戈身患绝症的诊断书，但楚戈经受住了生与死的考验，终于将航标灯遥控装置试制成功，用科学实验的丰硕成果向四届人大献了一份厚礼。

Every time our annual international film fest hits town, I scan all the offerings, with special attention to Iranian productions. I have seen so many fascinating films from a country that, in recent years, has banned Hollywood and other films foreign to them, and yet their filmmakers, despite having to follow strict guidelines and risking censorship at every turn, produce some of the finest films in world cinema. This documentary features interviews with several Iranian filmmakers, plus clips from a number of their best films. Among various aspects of Iranian film-making, they talk about how their reflective films differ from the Hollywood action variety, although there is such a role for Iranian film as well. What perhaps is really remarkable is how freely these producer/directors talk in a critical way about the censorship exercised in their country. The clever ways they get around it actually appear to challenge and enhance their creativity (as Duke Ellington once said, in describing how he had to compose his music to fit the talents and limitations of his band members, "It can be good to have limits"). Unusual scenarios between husbands and wives get around the rule that men and women, even when married, can't touch. Children are sometimes used to state in an allegorical or analogous fashion what could not be presented by adult characters. And the role of women is wondrously portrayed in these productions from a country that severely limits women's roles.

Elizabeth Price describes her films as moving ‘from something that looks like a PowerPoint lecture, to something that looks like an infomercial to something that feels like a cinematic melodrama’. For the Turner Prize exhibition, Price is presenting her video installation THE WOOLWORTHS CHOIR OF 1979 2012. Comprising three parts, the video brings together distinct bodies of material into a dissonant assembly; photographs of church architecture, internet clips of pop performances and news footage of a notorious fire in a Woolworths furniture department in 1979. The film weaves together existing archives of text, image and sound to create video installations that drift between social history and fantasy.

1979年，农技员焦俊林被贬至贫瘠的烂泥洼村任队长，立下一年还清欠粮的誓言。他顶着外界质疑与打压，改良盐碱地，陆续发展蔬菜种植、柳编加工与水果罐头产业，带领村民闯出致富路，也与村医杜晓棠相知相守，完成了乡村逆袭。

荒唐度日的陈光阳意外重生，回到1979年家人遇险时救下妻儿，悔恨的他决心改过自新守护家人。身处清贫岁月，他摒弃陋习，吃苦耐劳，寒冬破冰捕鱼、进山劳作，凭双手赚钱养家、改善家境。面对妻儿的猜忌疏离，他不辩解，始终用真诚行动兑现承诺，默默扛起家庭责任，他能否赢回家人信任？