2012年12月21日，在这次史无前例的灾难中，四个素不相识的人踏上了探寻墨西哥古代玛雅神庙的征程，因为据玛雅神庙记载，玛雅人最后的记录时间就是2012年。对于美国宇航局的科学家来讲，也许是洪水暴发，两极交替，对我们来说，那就是世界末日..

世界各地都有预言和神喻明确指出2012年的12月21日，地球将面临灭顶之灾。古代玛雅人的带有预言及启示性质的日历和中国《易经》中都明确了这个日子将是人类毁灭的时刻。我们将运用现代科学的手段来分析这一预言的可能性。而且，远古很多的预言后来都证明是失败了的，但是，也有相当部分预言是精准的可怕的，而正是这一部分精准的预言动摇了我们的信念。2012年已经不遥远了..

杰克·杰克逊（约翰·库萨克饰）带着孩子去黄石公园度假，却发现曾有美好回忆的湖泊已经干涸了，而这个地区也成为了禁区。充满疑惑的他在黄石附近的营地偶然认识了查理。查理告诉他由于自然环境和资源长期被人类掠夺性破坏，地球自身的平衡系统已经面临崩溃，人类即将面临空前的自然灾害。查理说有些国家已经在联合秘密研制并建造可以躲避这个灾难的方舟。杰克逊以为他是个疯子就一笑而过走开了。　　第二天灾难发生了。强烈的地震伴随大量陨石的坠落，让眼前熟悉的家园变成了人间炼狱。在地球的其他地方，各种各样的自然灾害也以前所未有的规模爆发。杰克逊和众多家庭一样踏上了求生之路。面对全球性的自然灾害，不知何去何从的他突然想起查理提到过的方舟和地图，于是决定前往方舟基地寻找生存的机会。　　在寻找和前往方舟基地的过程中，杰克逊一家在经历灾难的生死考验之后终于到达了方舟基地。然而已经制造完成的方舟数量远远不能满足从世界各地闻讯涌来的受灾人群。　　谁去谁留已然成为挑战整个人类的道德抉择。面对灾难，来自不同国家的人类做出了最重要的抉择：“所有人都是平等的，都有平等的生存机会！”最后人类终于在方舟中度过了这一全球性的灾害，获得了继续繁衍和发展的希望。

在见证了来自苏格兰高地一个研究掩体带来的启示后，杰克只能依靠空间站的人工智能主机J.I.M.作伴。8年后，食物供应耗尽，杰克和吉姆穿越后世界末日的荒芜之地，去传递一条重要信息。途中他们遭遇了冰盗、食人族、赛博朋克和僵尸修女，混乱接踵而至。

2004年12月，一颗近地小行星的启示引起了短暂的关注，因为初步观测表明，它在2029年撞击地球的可能性较大

影片基于格雷自己的童年记忆创作，讲述了在上世纪80年代美国正要选举罗纳德·里根为总统的背景下，一个关于友谊与忠诚的故事。格雷当时在纽约皇后区邱森…

一块像德克萨斯州那么大的陨石即将毁灭全人类，只有几个南海石油钻井工人登上陨石、钻个洞将它炸毁，人类才能得救。

在洛杉矶遭受到了奇怪而具有"毁灭性效果"的打击之后，六个好朋友被困在了一栋房子里面。外面的世界天昏地暗，里面的世界一样昏天黑地。每个人都在想着要如何出去。可是他们一旦有着冲出房子的计划，他们就越会被困得越深。　　在这场活动中，每个人都要面对着自己的命运--这种命运指的是，在必要的时候，放弃和朋友的友谊。

带着前世修仙记忆重生，未料今世世界突遭末日高温，大地干裂、热浪灼人。凭借修仙者的远见与行动力，他早早就囤积海量物资，搭建凉爽安全的居所。当他人在高温中挣扎求生、为物资争抢时，他却在舒适居所里安然度日，更能以微弱灵力应对高温危机。前世修仙底蕴加持，让他在这末日里，自始至终都处于高人一等的从容境地。

A comet, passing by the earth, causes rioting, social unrest, and major disasters that destroy the world in this World War I-era film. This Danish feature about a comet that destroys northwest Europe, leaving only a single man and a woman who meet in a church, is beautifully photographed, with many lovely shots and a fluid camera. Of course, the capitalists try to make extra money out of the panic, and of course the lower classes -- as exemplified by the common folks in a mining town -- break into the home of the wealthy capitalist the evening the comet hits in order to gain vengeance, interrupting a ballet in the process. All this is standard stuff for the better sf of the era: Wells, Verne and so forth. A mine foreman has two daughters, the fair Edith and the dark Dina. Edith falls in love with the ship's mate Reymers, while Dina runs away with the unscrupulous capitalist Stoll. When the rumor spreads that a comet is on a collision course with Earth, Stoll exploits the situation to make a killing on the stock market. On the eve of the comet's impact, Stoll gathers his friends for a great orgy, but enraged workers storm his grand villa, egged on by Dina's jilted ex-fiance. He, Stoll and Dina all perish. Fire rains down from the sky, and the seas flood the land. The Earth is laid waste. Only two survive: Edith and Reymers, and the film ends with their miraculous reunion. Inspired by the fear evoked by Halley's comet in 1910, this film was clearly adressed to a public in an age of war where the old order was collapsing. It carries great conviction, thanks to excellent acting and clever use of locations. The camerawork is first class; throughout, the film's images are carefully and elegantly composed. To create scenes of Earth-shattering disaster that would carry conviction must have been the greatest challenge for Blom and his technicians. Special-effects technology was practically non-existent, and financial resources were not unlimited, but the scenes of the cataclysm are surprisingly effective. Fiery sparks rain down from above, quickly shrouding everything in a pall of smoke. While this is obviously an economical solution to the problem of showing the disaster, the effect is eerie, unsettling, and convincingly apocalyptic. Most important of all, the ending, which in summary may sound prepostrously contrived, is in fact dramatically fitting and genuinely moving.