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    2016西部动漫节宣传片 - 动漫

    2016中国大陆冒险·热血·动作

    宣传片特辑 - 综艺

    2013中国大陆综艺·其他
    宣传片和广告片上传
    搜索《宣传片特辑》

    守望先锋宣传片 - 电影

    2014美国动作·科幻·动画
    The Overwatch Cinematic Trailer is an animated short shown at Blizzcon 2014. It was the first piece of Overwatch media released to the public. In a time of global crisis, an international task force of heroes banded together to restore peace to a war-torn world. This organization, known as Overwatch, ended the crisis and helped maintain peace for a generation, inspiring an era of exploration, innovation, and discovery. After many years, Overwatch's influence waned and it was eventually disbanded. Now in the wake of its dismantling, conflict is rising once again. Overwatch may be gone…but the world still needs heroes.
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    口碑中文宣传片 - 电视剧

    2016特别篇·搞笑·益智
    搜索《口碑中文宣传片》

    动漫节趣事4 - 纪录片

    2011美国纪录片
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    太仓城市形象宣传片 - 纪录片

    2015内地社会·纪录片
    人文篇《留忆太仓》分为城市时光、岁月记忆、田园意蕴三个段落,一个个镜头串联起“锦绣江南金太仓”的历史与文化脉络,凸显出“江海田园,静秀之城”的篇章主题; 经济篇《活力太仓》的主题是“梦想热土,活力太仓”,分为城市动脉、黄金口岸、经济引擎、创智家园四个段落,通过文字、数据与实景有机结合的画面,全面展现了太仓的经济活力与城市魅力。
    搜索《太仓城市形象宣传片》

    北京纪实影像周宣传片 - 纪录片

    2019内地社会·纪录片
    第三届北京纪实影像周共设置开幕式、论坛、市场、展览、展映、国际、培训、征集和闭幕活动九大版块,集中展示首都纪录片发展成果。
    搜索《北京纪实影像周宣传片》

    2015年大学宣传片 - 纪录片

    2015内地教育·纪录片
    高考刚结束,中国多所大学密集发布招生宣传片,引发关注。各所大学犹如八仙过海,各显神通。有教育界人士称拍摄宣传片成为近年来高校的一股潮流,有的制播费用甚至高达百万元之巨。
    搜索《2015年大学宣传片》

    2020厦门国际动漫节 - 电视剧

    2020内地节目
    由厦门市人民政府主办的2020年第十三届厦门国际动漫节。来自产业界、学界的专家学者及动漫创作者将齐聚一堂,共同见证“金海豚奖”诞生。
    搜索《2020厦门国际动漫节》

    维也纳国际电影节50周年宣传片 - 电影

    2011奧地利·法国短片
    Invited by the Viennale, the legendary 90-year-old French film essayist Chris Marker has recently created a one-minute festival trailer, following in the footsteps of directors such as Agnès Varda, Stan Brakhage, Jean-Luc Godard and David Lynch, who have done so in the past. The Viennale has chosen Marker’s work as its “anniversary trailer” because in it, Marker – like no other director before him – deals with the history of cinema in a playful and surprising manner. More precisely, he deals with the question of “the perfect viewer” that cinema has been looking for since the father of film, D. W. Griffith. Chris Marker ultimately finds this ideal viewer at the end of his small essay in an unexpected figure. See for yourself.
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