It is not enough to see or hear something once, there is always the need for repetition. Aside from maintaining a detailed diary, I continually document fragments of everyday life with my camera. The images I record never satisfy lived experience, they are simply marks that are barely able to prevent memory from completely vanishing. I never anticipate what images I’ll be able to capture. I only save them as a sign that something was there, or that I was there. “Recollection” is a troubling thing. What is filmed fails to supplement memory. Recorded images are left to haunt the mind, rendering true recollection impossible. In spite of this, I can’t help but rely on these images derived from reality, observing them over and over again. Perhaps, waiting for them to fulfill a potential some 60 years from now. Even if the image is a corpse, the work itself is a living thing. For in the end, there is always the need for repetition.

少女阿夢在一家名為「廿七俱樂部」的唱片店打工。 　　每天在白日夢裡幻想：假想朋友Kurt Cobain能把她從了無生氣的生活中拯救出來。 　　面對著廿七歲生日的逼近，她透過向死而生的想像，打破對成長的迷思。 　　A coming-of-age short depicts main character, Yumi and her record store coworker, as they experience existential dread about turning 27 years old, the age that many western rock stars passed. Between day dreaming and questioning their live's direction, the two supervise the record store and its quirky cast of customers and get up to their own shenanigans in the process.

珍（凯瑟琳·海格尔饰）一直都很会照顾别人，但却不太会照顾自己。她的一生都在成就别人的快乐－－从她衣柜中满满的二十七件伴娘礼服就能证明。在某个特殊的夜晚，珍试着在曼哈顿与布鲁克林两地举行的婚礼赶场，一位报社记者凯文（詹姆斯·麦斯登饰）目睹了这一切，他清楚关于这位婚礼狂的报导，将能使他脱离报纸的婚礼专栏。　　珍发现凯文的愤世嫉俗，而且对她最热中的事物——也就是婚礼——嗤之以鼻，于是两人产生争吵。让珍一度井然有序的生活更形复杂的，是她妹妹泰丝（玛琳·阿克曼饰）的到来。泰丝迅速让珍的上司乔治（爱德华·伯恩斯饰）拜倒在她的裙下，并央求她永远乐于助人的姊姊帮忙计划另一场婚礼－－也就是泰丝与乔治的终生大事－－但是珍对乔治的情感却演变成惊人的告白…也同时是新生活的开始。