十岁的汤姆和父亲住在一个贫穷但温馨幸福的集装箱里，他在学校表现良好，平凡的生活却因为一个儿童保护工作者的介入而发生了变化。影片讨论了关于贫困户是否有能力抚养小孩的社会问题，

1794年，开普敦的克利夫顿海滩，221名奴隶随船沉入海底，集装箱成为他们的坟墓。本作品融合了虚拟现实和装置艺术，通过纪录片和建构现实的结合，观众踏上了一段未知旅程，潜入历史脉络中货物和人的世界。

从码头装卸工到千亿航运总裁，韩光靠的可不是运气！意外碎了宝莲灯觉醒天眼后，集装箱盲盒开到手软，赌石矿场赚到飞起。打脸黑帮海盗，寻宝救美，顺便把老板千金娶回家，事业爱情双丰收。凭超能力和实力，实现真正的“草根逆袭”！

林凡意外觉醒黄金瞳，能看透万物价值，从此靠集装箱捡漏开启逆天暴富路。从低价拍箱狂赚百万，到鉴宝捡漏天价古玩，一路遇贵人、挫强敌，更解锁神佛护体异能。他凭一双神眼纵横码头、赌石、古玩、商界，从底层打工人一路逆袭成传奇大佬。

鉴宝专业出身的主角意外觉醒鉴宝神眼，可看透物件底细。集装箱盲拍现场，他果断入手众人嫌弃的箱子，接连捡漏贵重古物快速翻身。后续辗转各地拍卖会、深海寻宝，屡次寻得珍贵古物，遇到流失宝物主动守护，凭借超凡眼力不断收获珍宝，坚守本心守护古物，从普通青年一步步成长为受人敬重的文物守护者。

末世洪水来袭，林眠惨死之后重生，回到灾难降临前半月。她动用珍珠眼泪异能换取钱财，舍弃即将被淹的湖景房，打造出 “诺亚方舟” 生存集装箱，固定在双子塔顶层。洪水肆虐，昔日仇人艰难求生，她安稳度日。后续她接连遭遇人心算计、异兽、酸雨与海盗，冷眼看待恩怨，最终驾着集装箱前往高原，开辟出全新家园。

Vincent is an ordinary-looking cop in Descharnes province. Ten years ago, he buried a dirty business to save his skin. Stan Wilson, and share their passion for Deborah but also a dark secret. Ten years ago, they suffered a trauma that no child can recover. Wilson wants to forget. Stan wants to speak, without knowing that he then puts in motion a terrible plot ...

有天我收拾母亲房间的购物袋时，看到来自整形美容医院的收据…… One day when I was sorting the shopping bags in my mother's room, I saw the receipt from a plastic surgery hospital...

中央新闻纪录电影制片厂1965年摄制 学新技术力争高产（宁夏） 摄影孙树相 夏收传捷报（安徽 山东 河北）摄影亢殿邦、张存勋、王奎家 长春汽车制造厂生产全面高涨（吉林）摄影沙钟科

It is not enough to see or hear something once, there is always the need for repetition. Aside from maintaining a detailed diary, I continually document fragments of everyday life with my camera. The images I record never satisfy lived experience, they are simply marks that are barely able to prevent memory from completely vanishing. I never anticipate what images I’ll be able to capture. I only save them as a sign that something was there, or that I was there. “Recollection” is a troubling thing. What is filmed fails to supplement memory. Recorded images are left to haunt the mind, rendering true recollection impossible. In spite of this, I can’t help but rely on these images derived from reality, observing them over and over again. Perhaps, waiting for them to fulfill a potential some 60 years from now. Even if the image is a corpse, the work itself is a living thing. For in the end, there is always the need for repetition.