CCTV-9纪录频道“魅力系列”纪录片是以“中国视角、世界故事”为创作原则，用中国人的视角讲述全世界不同国家、不同民族、不同文化的故事，并寻找和体现具有普世价值的情感共鸣点。《魅力印度尼西亚》是继《魅力肯尼亚》、《魅力斯洛文尼亚》后的又一佳作。本片向观众展示印度尼西亚独特风景的同时，更多的则是将镜头聚焦在了人的身上，16个普通人的故事展示了印度尼西亚现代社会的发展和进步以及对传统文化习俗的传承。

印度尼西亚爪哇岛拥有自然界最令人惊叹、也最具破坏力的力量——火山，一个来自日本的摄制组来到这里，探究活在火山的阴影中是怎样的恩赐和诅咒，他们看到火山孕育出新的工业，滋养了土地，也目睹了火山留下的严重破坏。

1946 在澳大利亚逗留期间，在悉尼的码头工人协助下，秘密拍摄《印度尼西亚在呼唤》，记述澳大利亚码头工人拒绝为荷兰船只卸装运往印度尼西亚的武器等情况。荷兰当局不仅禁映这部影片，而且借口护照问题，对伊文思采取了进入国境的“惩罚性措施”。 Appointed by the Dutch government as a Film Commissioner of the Dutch East Indies, Joris Ivens was supposed make educational and informational films and to film the liberation of Indonesia. However, when he arrived in Sydney and found out that the Dutch government had no intentions to make Indonesia an independent country, but restore the pre-war colonial situation in Indonesia, if necessary with military violence, and this being in contradiction with the information he'd been given and the Atlantic Charter treaty, Joris Ivens resigned his post and made this film. He stated that the Dutch were not working on Indonesia's independence, but on a re-colonization of it. The film is clandestinely shot in the harbours of Sydney, where the port workers unions boycot the Dutch ships filled with military supplies and summon the workers to turn down labour on these ships.

1963年4月12日至5月16日，中华人民共和国主席刘少奇和夫人王光美在印度尼西亚、缅甸、柬埔寨和越南民主共和国四国进行了友好访问。

该片记录了刘小东2014年的印度尼西亚写生项目创作过程，同时也通过影像保存了部分印尼华人的口述历史资料。刘小东以当地经商华人聚会上的几位女性作为创作对象，通过写生期间的交谈勾勒出一方面掌握着印尼经济、一方面又遭受磨难的当地华人群体形象。此行，刘小东还将凝结了印尼华人苦痛记忆的地标——红溪河纳入自己的艺术创作中。

中央新闻纪录电影制片厂摄制

Documentary exploring the long-term multi-generational effects of the mass killings in Indonesia in 1965-66, where approximately half a million to a million suspected communists were killed in six months. Woven together are archival footage, photos, interviews with historians and anthropologists, and testimonies of both victims and perpetrators of the killings, revealing a complex story of politics, death, suffering, and coping. The film follows four families who had family members killed or "disappeared" by soldiers and neighbors in Bali and Java. The survivors and their children break the thirty-five-year silence as they reveal how they are still subjected to and cope with the continual harassment, surveillance, and discrimination by the State and their community members. Official Selection Globians, World + Culture Documentary Film Festival ; Official Selection Boston International Film Festival

中央新闻纪录电影制片厂摄制

中央新闻纪录电影制片厂摄制。万隆会议结束后不久，中国为加强对印度尼西亚的外交工作，于1955年6月10日派出了以文化部副部长郑振铎为团长， 周而复为副团长的中国文化代表团出访印尼。从雅加达到日惹，中国文化代表团在雅加达的访问和胜利演出的消息像海风一样吹遍了印度尼西亚的城镇和村庄。代表团7月9日离开雅加达开始到其他城市访问，到哪里，哪里就是一片欢笑声。中国和印度尼西亚两国的友谊就在这两国人民的欢笑声中增长，再增长。代表团在万隆拜会了西爪哇省长，参观了亚非会议的会址和周恩来总理住过的别墅。二十九个亚非国家举行全体会议用的“独立厅”大致还保持着会议期间的样子。代表团还参观了万隆附近覆舟山的火山。亚非会议以后，曾经有人冒险跑到离冒烟的火山口很近的斜坡上，写上“亚非会议”几个大字，来纪念这件在保卫和平的事业中有重要意义的大事。8月17日是印度尼西亚宣布独立的伟大的纪念日。十年前，印度尼西亚共和国在中爪哇政治文化艺术中心的古老城市日惹诞生了。中国访问印度尼西亚文化代表团负责人应邀参加了庆祝这个伟大节日的典礼。