What can we do to fight an invisible enemy like Covid-19? Japanese special-effects wizard Higuchi Shinji thinks we should use our Godzilla toys as magic-conductive tools for this fight, and put an instruction video on YouTube. Iwai Shunji took up the idea and turned it into a 12-part internet series about the way model/actor/director Saitō Takumi (playing himself) passes his solitary-confinement days by raising three tiny monsters, so-called capsule kaijū: Avigan, Remdesivir and Ivermectin. This is something he and Higuchi remembered from their childhood days, from the well-loved special-effects TV series Ultraseven (1967-68), whose hero also grew little helpers. What looks at first like a sweet audio-visual jest with masses of in-jokes and references, reveals itself on closer inspection as an existential show of belief in cinema and television, their shared history as a source of magic, and of remembrance and play as forces of healing.

11岁的女孩裕静（Yu - jung）迎来了人生中的第一次生理期，她误以为自己快要死了，便将这个秘密告诉了最亲密的胜俊（Seung - jun）。六年级时，学校里最漂亮的惠美（Hye - mi）向胜俊表白，裕静因此对他们心生嫉妒。这部电影仅通过三个儿童角色，可爱而温馨地展现了一个小女孩生命中的珍贵时刻。

可爱的女招待/妓女是浪漫的，并与英俊的陌生人/殡仪馆经理结婚。他和镇上的大多数人一样，宁愿自己的女人死去。她显然是那个职位的候选人，因为他的两个死去的前妻情况都很糟糕。为了避免他们的命运，她一定要逃脱

errante, King of Portugal in the public interest, wants to marry his son, Pedro of Navarre Infanta. But Pedro for a year as married on Inez – a girl of noble birth, though, but not of royal blood. Ferrante painfully reflects on how he solve the situation … His actions show the irrationality and inconsistency of behavior man. They do not fit the dramatic conventions of coherence and unity of nature.

佳纪和光住在乡下小村庄，两人一起长大，从小形影不离。 燠热难当的艳阳。 此起彼落的蝉鸣。 回家路上的冰淇淋。 那天，一个再完美不过的平凡夏日，他们随口闲聊，哈哈大笑。 佳纪忽然转头问光：“其实你不是光吧？” 六个月前，光在山里走失，一星期后离奇归来。 这个光的容貌和言语都与原本的光别无二致，但他体内有某种不太对劲的东西在骚动。 “光已经不在了，那样的话，你……” 佳纪继续与那个模仿光的“东西”相处，假装一切都没有改变。 然而，村庄里却开始怪事频传。 渐渐坠入某个未知的“东西”…… 以成长为主题的恐怖故事拉开序幕。

一个在一系列无意义的关系中迷失的年轻女子爱上了一个有魅力且敏感的男人，但她不知道的是，这个男人隐藏着一个黑暗的秘密，他把她的婚外情变成了一种危险的痴迷。

1944年，一支美军巡逻队被德军从哨所驱逐出来。他们打算带着一名女游击队员撤回到己方的安全区域，然而却遭到了德军的一路紧追不舍。

雨季如期而至，阿赋决定做一个了断。

The patriarch of a troubled clan dies, but the resentment and yearning of the eldest son conspire to bring the errant father back for periodic visits in an only partially living state. These brief stop-overs are profoundly disturbing in thier incompletemess, and the boy finds himself driven inexorably to a final, frenzied act of self-loathing. Written by Anonymous