Stela, a young Brazilian actress, decides to make a work on the letters exchanged between Latin American plastic artists in the 70s and 80s. She travels to Cuba, Mexico, Argentina and Chile looking for her works and testimonies about the reality they lived during the dictatorships that most of these countries faced at the time. In the midst of the investigation, Stela discovers the existence of Ana, a young Brazilian artist who was part of this world, but disappeared. Ana went from southern Brazil, from a small town in the interior to Buenos Aires. Obsessed by the character, Stela decides to find her and find out what happened to her.

Stark formal choices counterbalance profound emotions and vulnerability in this poignant lover’s goodbye.

A young man is freed from prison. The communists are reforming him.

Twenty-something Ana, now living in Buenos Aires, returns to her native city of Paraná. She meets old school mates, old friends, makes new ones, and starts to rethink her life, and perhaps change her future.

Over a road trip, triplets Ana Laura, Ana Leticia, and Ana Lucía, along with their parents, suffer a dramatic accident crashing by the side of a river. The consequences of this event are catastrophic: Both parents die, Ana Laura loses one leg, and Ana Lucía, unconscious, is dragged by the river’s flow. Only Ana Leticia, who actually caused the accident, emerges unscathed. Soledad, a woman who was seriously hurt after her daughter’s death, helps Ana Lucía, whom she finds agonizing. Although Soledad discovers who the girl is, she takes advantage of her memory loss regarding the accident and her family and decides to keep her, making her believe she is her mother. Despite everyone declares Ana Lucía is death, Ernestina, the triplets' grandmother, and Ramiro, their uncle, don’t give up and do everything they can to find Ana Lucía. But years go by, the same as their wishful

Ana was raised to be stunning and famous until she comes to terms with how superficial this is. This is the late-coming of age of a woman who is no longer scared of getting lost to find herself.

An artificial intelligence system takes control of a futuristic car manufacturing plant.

Ana spends the entire day watching through the window. She is looking for something in the apartment across the street, perhaps a sign. Maybe, deep down, there is something Ana refuses to accept.

Ana is about to start her trip to another country, leaving V{ictor. She comes back to Chile to re-encounter with Andrés. Brief instances of her life seem to melt like in a mirror.

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