Javier, a 19-year-old young man drafted into the war, goes to his ex-girlfriend's house seeking forgiveness before he leaves. At the same time, Javier's mother, Alicia, visits an old friend who is now a colonel to ask her to spare him.

Camila and Abril grew up together in a small town on the coast and are best friends. There's an obvious and uncomfortable attraction between them. April's family will move to the city, their paths will have to separate forever.

The daily routine of a women's Republic in the late days of 1963 and early 1964 - before the military coup - is presented from the perspective of several characters, and the place's owner who is about to sell the house to an international company who wants to build a mall in the place.

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"14 d'abril. Macià contra Companys "is a television drama, allegedly recorded in 1932, but with the methods, style and own means 2010. With this temporary license, the stars of one of the episodes of the Catalan capital twentieth century discussed the facts, in first person, while a nosy camera helps us to relive what happened in Barcelona between 14 and 17 April 1931, the three-day duration of the Catalan Republic. All with the aim of showing the greatness and the precariousness of a gesture, half improvised by Companys key sovereigntist corrected by Macià, and that led to a shouting match.

科拉（Cora）在马尼拉一家大型电影公司担任副导演，她带着一个摄制组回到乡村老家，拍摄一部由旅游部门资助的军事题材电视剧。她借用了表亲的家作为拍摄基地，并承诺会带来更多商业机会。然而，这引发了剧组、士兵和当地村民之间的一系列矛盾，逐渐揭开了这个村庄不安而隐秘的现实。

故事发生在1910年的巴西，在那里，两大家族之间的斗争从未停歇。布雷维斯家在家族战争中失去了他们的大儿子，这让老父亲（乔斯·多蒙特 José Dumont 饰）感到非常的悲伤，于是把复仇的希望寄托在了小儿子汤诺（罗德里格·桑托罗 Rodrigo Santoro 饰）的身上。父辈的仇恨剥夺了汤诺的童年和快乐，最终，当他手刃杀死哥哥的敌人后，感受到的并没有释然和救赎，仅仅是空虚。 汤诺找到了仇人的祖父，希望能够阻止两个家族无休止无意义的争斗，对方当然拒绝了，但是答应汤诺两家人在下一个月圆之夜前暂时停火。镇上来了一个美丽的姑娘克莱拉（Flavia Marco Antonio 饰）她的歌声和笑容深深吸引了汤诺。

影片讲述的是1974年4月在葡萄牙爆发的康乃馨革命。

第70届戛纳电影节(2017)一种关注单元评审团奖获奖作品，影片讲述了一个怀孕了的17岁少女Valeria，和她同父异母的姐姐共同生活，虽然Valeria并不想要长期缺席在她生命中的母亲但是当她发现自己怀孕并且马上要为一个婴儿担负起责任，她决定告诉她的母亲。随着女儿的到来，我们也很快就能知道为什么Valeria想远离她的母亲…

The poet Salvador Merlino didn’t live to see published April’s elegy, his last book, as he died whenit was still in the printing press. His daughter Mary (72) and his son, Carlos (74), kept the parcels ofcopies of their father’s book stashed away for 50 years, high up, on top of a wardrobe. The curiosityof young Federico will force them to come face to face with themselves.