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20世纪70年代，法国尼斯的富家少女阿涅斯·勒鲁（Agnès Le Roux）离奇失踪。她的母亲怀疑女儿的恋人图谋不轨，为了获取女儿的巨额财富而对她下了毒手。于是，这位母亲决心探寻事情的真相。

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In For Gods Only, choreographer Olivier Dubois offers a fresh interpretation of The Rite of Spring in collaboration with dancer Marie-Agnès Gillot. The performance explores the dual themes of fame and self-sacrifice.

当不少人以为《脸庞，村庄》（2018）是瓦尔达退休前最后杰作，她连奥斯卡终身成就奖亦袋袋平安，偏偏俏皮一笑，又交出这部活泼生猛的纪录片。由巴黎、洛杉矶到北京，马不停蹄开班分享创作理念，这位九十岁祖师奶奶不言倦，反正花样年华已被唤作「法国新浪潮祖母」，索性成为影坛万年青。 本尊娓娓道来启发《短角情事》的好奇心，《拾穗者》的细腻观察；至今不辍光影实验，不吝将艺术触觉传承。是为一生回顾展？言之尚早！

Katja Raganelli’s first portrait of a female filmmaker was dedicated to Agnès Varda whom she first observed while shooting L’une chante, l’autre pas (1977) and then talked to at her home, in her kitchen as well as at the editing table. Her clear vision of this giant of the Nouvelle Vague now resonates as a blueprint for narrating women’s film history for the decades that followed.

八十岁的阿涅斯·瓦尔达，在生日之际以《阿涅丝的海滩》这部充满温情的幽默佳片为自己庆寿，实在是电影史上的一段佳话。影片利用重构的手法，她与丈夫德…

Julian continues to spiral into decadence which each passing day but he is terrified that someone might discover his disfigured portrait. He even resorts to murder to cover up his ghastly secret but that may not be enough to save him from his cruel end.

Pushed by her husband to settle in the family castle, Agnès finds her sister-in-law Alix there. Her husband Carlos, often absent, loses interest in his wife and gradually approaches Agnès who will end up giving up this relationship.