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Three convicts break out of jail to retrieve a bunch of gold stolen by one of them. The warden of the jail wants it too. And so does the army.

The life of Fermín goes by, divided between his work as a diablero and the confinement he lives in within his house. Like him, other families live in a vecindad in the heart of Mexico City. One day, a company colluded with the government threatens to evict the vecindad tenants in order to build a mall. Facing the threat of an eviction, the tenants join in solidarity to come out of their self-absorption and fight for a common cause.

《Antes de morir》是一部由丹尼尔·德尔·卡萨（Daniel Del Casar）创作的黑色喜剧惊悚剧。

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1918, Castelao leaves his public position in Pontevedra to work as a doctor in Rianxo during the Spanish flu. A hero for the town, but an absent man for his wife, Virxinia. 1929, the couple travels through Britain a few months after the loss of their only son. Two broken beings and a bond that is no longer understood. A trip will unite them forever and ever. Castelao before being Castelao. Galicia before the “xeración Nós”. Castelao and Virxinia before being “we”.

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Laura doesn't know what to do with her loneliness. She gets involved in multiple games of seduction, unable to go home alone, without someone to share her affections with. She confides in her sister, Sara, they share dinners, they confide their fears. Laura feels she has to change, to escape the chaos that her life has become, especially when her children surprise her with a stranger in her bed. She then seeks out her mother, as if trying to reconcile with her.

Within the surroundings of a misty dreamscape, Tuza rows her small wooden boat from one bourgeois living room to the next, casting her net to fish for the treasures that are her livelihood. She is helped by Justino, a superstitious and cautious man whose wife Luvina feels trapped in her home, where she is determined to shoot all the raucous birds out of the sky. When Justino has a dreadful accident, Tuva’s and Luvina’s paths collide as they try to find his corpse before it rots away and is devoured by buzzards.　　Part tragic love story, part psychological drama, Before the Buzzards Arrive is an oneiric, magical-realist fantasia that examines the ways in which people – and particularly women – are confined by the socially constructed roles they come to inhabit. Further to this, the film wonders poignantly whether escape from one such oppressive set of circumstances merely results in becoming trapped in another. Unfolding like a delicate reverie in a universe fully informed by its own logic, it accomplishes what any dream worth its salt does: it haunts us with notions that make the real world seem fragile, bizarre and at times grotesque.