The English National Opera first mounted David Alden's production of Ariodante, one of Handel's greatest masterpieces, in 1993. It met with unanimous critical and popular acclaim, and this 1996 revival features many of the leading singers from the original production. Ariodante is Handel's 1735 setting of an episode from Ariosto, in which the King of Scotland's daughter is treacherously accused of infidelity to her promised husband. The range of feelings provoked as the characters develop is caught in music of quite extraordinary emotional power, even by Handel's own exalted standards.

At Salzburg Festival, Cecilia Bartoli shines as Ariodante with her dazzling coloratura in a highly acclaimed new production by the German director Christoph Loy, who is known for his clever psychological stagings. Loy turns Handel's splendid baroque opera into an exciting and differentiated reflection on gender roles.

It is a work charged with jealousy and intrigue, with struggles and betrayal: Ariodante, Handel’s first work for the then brand new Theatre Royal in Covent Garden. At that time, the composer was faced with fierce competition, was financially stricken and on the rocks. However, he plucked up his courage while taking the waters and wrote the opera, basing it on Ariosto’s epic poem Orlando furioso. And he composed varied, colourful music, including the intimate aria “Scherza infida”, which is considered one of the special highlights of Handel’s oeuvre to this day.

Discover Ariodante, George Frideric Handel’s Baroque opera, a masterpiece plunging us into the ruthless world of the Scottish royal court through a love story of knight-errant Ariodante and princess Ginevra. Christof Loy staged the production at the Salzburg Festival 2017, alongside maestro Gianluca Capuano who conducted Les Musiciens du Prince-Monaco.