Drama revolving around the lives of the Lewis family, and their various trials and tribulations in the changing environment of their South Wales town Bryncoed and modern Wales.

After giving up her job as a librarian to care for her husband’s elderly family, Jess’ world falls apart when he leaves her for a younger woman.

Kaan has always been looking for a meaning in his life. Gizem and Bengi were in love but the city didn't welcome much girls like them. Fuat had spent his life as a homeless in the streets of Istanbul. There has been a belief that an old spiritual ship once got stuck in Istanbul. A ship that would only be visible to the ones who would belong to it, who would need it in their lives. A ship that would take them to where they belong to. The ship was about to take off. The film is inspired by the short animation film called "How Did The Amentu Ship Move", made in 1970 by Tonguç Yaşar and Sezer Tansuğ.

Tatjana is lonely. Born in Croatia, she has lived across Europe before settling in Amsterdam. Fifteen years later, her teenage son avoids bringing friends home, embarrassed by her dreadful Slavic accent and her lack of Dutch composure. But the real trouble is bigger: Tatjana feels foreign everywhere. Determined to belong, she starts knocking on doors across Europe, asking relatives and friends how they did it. Stumbling through cultural misfires and everyday bias, she finally confronts a dark pattern in her own family history.

Belonging To Laura is a modernization and hilariously witty remake of Oscar Wilde's classic play Lady Windermere's Fan. The play takes place on Laura Windermere's 21st Birthday. Engaged to Tiernan, they are the golden couple of the Dublin crowd. With their big day fast approaching, Laura's world is turned upside down when her best friends gleefully break the news that Tiernan has been seen with a mysterious and sexy older woman. Laura learns the hard way that she is not as perfect as she, and everyone else, believed.

Made in 1991, A Sense of Belonging is Morrison’s four-part documentary series, the first of its kind, on the history of Jewish life in Britain. TJFF is thrilled to present three of the four episodes, which have been out of circulation for decades. “A Sense of Belonging was my attempt to put Jews on TV. Ordinary Jews, the ones I knew, were invisible on British television; apart from the Holocaust and Israel, Jews didn't exist.” recalls director Paul Morrison, “We went for a structure for the series that followed the arc of the pilgrim festivals. The premise of the series that Jews in Britain have been allowed in on sufferance, led restricted Jewish lives as a consequence, and are—or were—challenging that straight jacket.“

艾迪耶特是一部当代惊悚片，描绘了一个刑事案件，尽管它与一部类型电影恰恰相反。一个男人以清醒的口供口吻发出了一个画外音，他重建了他未来岳母的谋杀案。根据女儿，他的情人的意愿，他雇佣了一个合同杀手来谋杀她，因为她反对他们的关系。电影中所有的情节都是造成悲剧的原因：一个整洁的公寓，安卡拉的汽车站，停车场，走廊，谋杀受害者的床……在返回伊斯坦布尔的路上，夜晚的高速公路变成了一个屏幕，在屏幕上投射出一个生活在良心上的人可怕的内心折磨。然后这部电影改变了视角，展示了这对情侣是如何相遇的，以及血腥行为之前发生了什么。这些看似无害的图像和对话会受到观众先前知识的影响，就像精神病一样。为什么神秘的佩林如此恨她的父母？这是电影无法回答的问题。在艾迪耶特，伯克·埃维克对观众的侦探冲动进行了一次优雅、刺激和本能的实验。 Aidiyet is a contemporary thriller that maps out a criminal case, though it’s the very opposite of a genre film. In a voice-over delivered in the sober tone of a confession, a man reconstructs the murder of his future mother-in-law. Acting on the wishes of her daughter, his lover, he hired a contract killer to murder her because she opposed their relationship. All that the film shows are the many locations that make up the tragedy: a tidy apartment, the bus station in Ankara, the parking lot, the hallway, the murder victim’s bed… On the way back to Istanbul, the motorway by night becomes a screen onto which the terrible inner torment of someone with a life on his conscience is projected. Then the film changes perspective and shows how the lovers met and what preceded the bloody deed. These seemingly harmless images and conversations become charged by the viewer’s prior knowledge, as if in a psychosis. Why did the mysterious Pelin hate her parents so much? That’s a question the film doesn’t answer. In Aidiyet, Burak Çevik conducts an elegant, exciting, and instinctual experiment with the detective impulses of his audience.

这位伊朗出生的导演返回她的出生地，寻找迷失的自己。她找到了自己的灵魂伴侣，也许这正是她想要寻找的。

每一年，都有数百名中美洲移民在北上美国的途中失踪。他们的母亲在无处求援的情况下，自发组织起来，乘车穿越墨西哥，追寻他们失踪孩子的最后足迹。《自从你来到这里，我的心随你而去》是一部追随这些母亲的短纪录片，提供了移民危机的另一个视角。该影片密切探讨了这些母亲对其子女的悲痛和思念，以及影响移民的社会力量中巨大的个人代价。

1971年6月——在一片完全位于海平面以下的流动性地貌中，一名生物学专业的年轻学生在学业最后一年去世，留下了一份未完成的科学标本收藏。50多年后，一群生态学者与志愿者再次来到同一地区，试图记录并理解这片环境当下的状态。 June 1971 - in a fluid landscape completely below sea level, a young biology student dies during the last year of his studies, leaving behind an unfinished scientific collection. More than fifty years later, a group of ecologists and volunteers are trying to understand and document the same environment as it is today.