「俺が、アイドル…？」 歌が大好きな高校生・清瀬明良。 彼の歌は歌い手“KIKUNOYU”として動画配信サイトに公開されていた。 ある日、その歌声を聴いた芸能事務所“sMiLeaプロダクション”にスカウトされる。 そこは、突如引退した伝説のアイドル“Anela”がアイドル育成のために立ち上げた事務所だった。 同じくスカウトされた直江万里、五十鈴川千紘とともにグループを結成することになった明良。 歌い手出身の3人は、同じ事務所の所属アイドル “LEGIT”、“JAXX/JAXX”に刺激を受けながら、 それぞれの想いを胸にアイドルデビューを目指す──。

The story of a South Asian girl coming of age and the awakening of her sexuality. She must overcome her own shame and fear to find her inner strength and true super-powers. With the arrival of her first period Maya’s world is turned upside down as she is confronted by the restrictive traditions of her conservative family and a world of hidden shame, stigma and taboo in contemporary London.

Amina, a young woman (17) is pregnant and afraid to give birth. For a consolation and advice she goes to older women but their stories scare her even more.

Everything is fine for Aylin, who has just given birth. Her husband and mother are with her, she has a helper at home and her friends come to visit. However, Aylin has difficulty adapting to the role of motherhood, she is reluctant to even hold her baby or feed him. Her gaze is always fixed on the distance, she has a pensive mood.

Further to an accident, Serge falls into a coma. A research team is going to try to stimulate his memory to return him to consciousness.

Canadian documentary on age and aging.

The dreamer Philip is full of wild and utopian ideas. But the pregnancy of his girlfriend Marina forces him to "grow up" dramatically: to find a stupid job, to give up ridiculous fantasies. However, in this form, he is unloved and no one needs. As a result, difficult childbirth makes it clear: one cannot do without his imagination.

Sitcom starring Emma Cunniffe as Alison, a new single mother living in a council flat in Brent Cross.

A growing number of parents are concerned about the impersonal approach to childbirth seen in many hospitals. They find hospital procedures inflexible and more often geared to the needs of the institution than to those of child and parent. Members of the medical profession and parents discuss today's obstetric methods and alternatives to them. The film candidly records the birth of a baby and the interaction of mother and father.

"Like STREET FILM PART ZERO, PARIS BIRTH manifests with the employment of four projectors running simultaneously with image overlap. The film opens with one projector showing the film-maker's wife walking down a Paris Street. Short bursts of film, flash frames, jumps, and the gentle flow of motion and subtle color highlights the scene. When the other projectors are switched on, shown are isolated events leading up to the birth of a child. The mystical beauty of the film cannot be ignored and the pacing of the four images afford a kind of universal intimacy into the human condition of constant flux. Ordinary events, such as walking down streets, pouring coffee, talking on the telephone become extraordinary on the level of recognition of the regenerative process going on inside and outside the viewer."—Susan Headley