It catches the essence of the no man’s land in which an accused artist found himself. In the hysteria of the political witch hunt neither society nor the law offered a way out.

Documentary following the hearings held by the House Un-American Activities Committee of the '40s and '50s.

A look at the confluence of the Red Scare, McCarthyism, and blacklists with the post-war activism by African Americans seeking more and better roles on radio, television, and stage. It begins in Harlem, measures the impact of Paul Robeson and the campaign to bring him down, looks at the role of HUAC, J. Edgar Hoover and of journalists such as Ed Sullivan, and ends with a tribute to Canada Lee. Throughout are interviews with men and women who were there, including Dick Campbell of the Rose McLendon Players and Fredrick O'Neal of the American Negro Theatre. In the 1940s and 1950s, anti-Communism was one more tool to maintain Jim Crow and to keep down African-Americans.

Director Elia Kazan and playwright Arthur Miller were once best friends and professional colleagues, to most that knew them then in both capacities as soul mates. Their politics were similar which was reflected in their work. Kazan was a Communist Party member for a few years in the mid-1930's, but Miller never officially joined the party ranks. Their relationship changed in the early 1950's when Kazan was subpoenaed to testify in front of the House Un-American Activities Committee where he named names of Communist Party members past and present.

On the school's blacklist are Viking, the school leader; Buntad, the best in academics; Title, who always wins with money; Jimbe, a friendly, cheerful and beloved guy; Andrew, a handsome guy who can make every girl be obsessed; Highlight, the school's secret keeper; Traffic, who's behind the scenes of badness and the leader; and the school's secret mission, that's assigned for them...

本季中红魔遭到了前所未有的背叛，让他不得不解散了自己的地下王国，开始流亡海外。另外伊丽莎白和丈夫也为了保护女儿付出惨痛的代价。

上一季中雷蒙德·雷丁顿失去了他的同伴伊丽莎白·基恩---莉兹在生下女儿后死去。现在，伴随着度过了最悲伤的时期后，雷丁顿的整个团队都致力于追捕凶手…但有个更值得关注的问题是：莉兹真的已经死了吗?

吴达洙以独立电影《监视对象》回归，该片以监狱为背景，讲述在监狱发生的故事，9月正式开拍。

Larry Ceplair, co-author of The Inquisition in Hollywood, and blacklisted screenwriter Walter Bernstein, a former member of the Communist Party, discuss the socio-political environment in Hollywood during the 1940s and 1950s, as well as unusual production history of "Johnny Guitar."

一年过去，《罪恶黑名单》(The Blacklist)从竞争激烈的2013年秋季美剧档中脱颖而出，成为最受观众喜爱的NBC剧集，詹姆斯·斯派德(James Spader)的精湛演技也大获好评。不过本剧尚未正面回答一个核心问题，即“‘红魔’雷丁顿到底是不是FBI探员伊丽莎白·基恩(Elizabeth Keen)的父亲?”第二季将继续讲述第一季中的反派“柏林”(Berlin)的故事。“柏林绝对还逍遥法外，观众将看到莉兹等人如何重振旗鼓，追踪柏林的真实身份以及他和雷丁顿的恩怨。”