Apoorva, a 24-year-old in Bengaluru, conceals his failed MA from his mother. Juggling part-time jobs, he relies on his love interest, Swapna, for support. Apoorva's unique ability to control blinking becomes a curse when a mysterious old man reveals his father's survival.

After being violently pushed from a window, Mary wakes up in the hospital, almost completely paralyzed. Trapped inside the prison of her own body, Mary's only way to communicate is by blinking her eyes. She tries to warn the nurse that a sinister, inhuman force is trying to kill her. But when strange things begin happening around her, she realizes it may be too late to stop it.

Blink is a dying vigilante who must find a replacement for himself before he dies

Lucio is an introverted boy who spends his nights dreaming of Greta. Little by little, he begins to prefer to spend his time dreaming, escaping reality and sharing his time with Greta and a mysterious knight.

这部超自然惊悚片的主角是一位年轻女子。在母亲和兄弟离世后，她离开城市，前往英国乡村一座偏僻的小屋调养身心。但很快，过去的阴霾就如影随形，即便身处偏远之地也无法摆脱。莉纳西来到这座宛如世外桃源般的乡村小屋，试图从痛失母亲和兄弟的悲痛中走出来。她一直想躲开多年前突然再次闯入她生活的恶魔。在前往小屋的途中，意外的访客和幽灵接连出现。它们究竟是真实存在的、只是她的幻觉，还是童年创伤的体现呢？你身边的人真的如你所认知的那样吗？可要睁大眼睛了。 ——纳特·诺利德

国家地理纪录片，由奥斯卡最佳纪录长片《纳瓦尔尼》团队制作。佩尔蒂埃家是一个快乐、富有冒险精神的六口之家，他们在得知四个孩子中的三个很快将因视网膜色素变性而失明后，决定去环游世界，这是一种罕见的、无法治愈的疾病，会导致永久性失明。一家人开始了一次千载难逢的旅行，趁着还能看到世界上所有的美丽。　　制作团队表示：“我们的电影从令人惊叹的美丽到安静和亲密，讲述了一个拒绝让未来定义他们现在的家庭的故事，充满了力量和童趣，我们相信它会引起世界各地家庭的共鸣。通过米娅、莱奥、科林和洛朗的眼睛来观察我们的星球，我们迫不及待地想与大家分享。”

国家地理纪录片，由奥斯卡最佳纪录长片《纳瓦尔尼》团队制作。佩尔蒂埃家是一个快乐、富有冒险精神的六口之家，他们在得知四个孩子中的三个很快将因视网膜色素变性而失明后，决定去环游世界，这是一种罕见的、无法治愈的疾病，会导致永久性失明。一家人开始了一次千载难逢的旅行，趁着还能看到世界上所有的美丽。 制作团队表示：“我们的电影从令人惊叹的美丽到安静和亲密，讲述了一个拒绝让未来定义他们现在的家庭的故事，充满了力量和童趣，我们相信它会引起世界各地家庭的共鸣。通过米娅、莱奥、科林和洛朗的眼睛来观察我们的星球，我们迫不及待地想与大家分享。”

A woman has to stay awake.

Jacqueline - a woman who is obsessed with control - adopts two children from a foreign country with her husband. To help with translation, the kids are accompanied by Gabriele, a twenty-year-old who is just starting to taste the sweetness of power.

This is a combination of stop-motion puppet and drawn animation. We observe a forlorn woman on a Halifax dock, whose loneliness is lifted by the passing of a fishing trawler. A metaphor on the connectiveness of water and water's capacity as a medium of freedom. This film was made as part of the first edition of the NFB's Hothouse apprenticeship.