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The story behind Blondie's album Parallel Lines, which sold 16 million copies and captured the spirit of 1970s New York at a time of poverty, crime and an exploding artistic life.

Arthur Lake had played Dagwood in a long series of “Blondie“ movies. This show, retelling stories and situations familiar to readers of the comic strip, lasted one year.

In this second attempt to base a series on the long-running comic strip, Blondie is a stay-at-home mother to Cookie and Alexander. Husband Dagwood toils in an office where his boss Mr. Dithers is overly involved in the Bumstead household. Dog Daisy rounds out the cast.

The world's favorite comic strip couple trades places when Blondie gets a job after Dagwood Bumstead gets fired again.

Five blonde women confirm and break stereotypes about blondes and their men. They love, wait, annoy, challenge, surprise – they live next to us – each one different and each with her own blonde story. Mind and emotions, flesh and blood determine the most unexpected actions.

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Blondie organizes Housewives of America to perform homefront wartime duties, including guarding the local dam. Dagwood and the other husbands don't care to be left home doing the cooking and taking care of the kids, so Dagwood pretends to join the Army. Blondie disbands the organization and comes home.

Things get under way when Blondie Bumstead demands that her husband request a raise from his boss Mr. Dithers, so that she can afford to hire a maid. But Dithers has no time for any salary disputes: his construction firm is currently stuck with an unsaleable old mansion that is rumored to be haunted. To disprove this theory, Dithers asks the Bumstead family to spend a night in the crumbling old house, throwing a retinue of servants into the bargain.

Fired for messing up an important contract, Dagwood takes a job as a manual laborer for a construction firm while trying to get his old job back.