Musical comedy starring George Formby alongside his wife Beryl in his first ever feature film. George plays John Willie, the shoeshine boy at the upmarket Crestonian Hotel. He's a cheeky little man with no time for authority, a head full of dreams, a pocketful of songs and a heart full of love for the hotel's scullery maid (Beryl Formby). After causing more than his fair share of chaos at the hotel, he finally gets the chance to redeem himself - and show off his hidden musical talents - when he finds himself topping the bill at the hotel's Gala Cabaret Night. Songs include: 'Why Don't Women Like Me?', 'Sitting on the Ice in the Ice Rink' and 'I Could Make a Good Living at That'.

A teenager recounts a terrible night in the city where he ends up drunk and unhappy at a 24 hour diner. There, he has an encounter with a sweet, inviting family that leaves him feeling a little less lonely.

The piano tuner Murkin, an elderly and sickly man, sets out in the morning to find his boots, in which his neighbor's overnight guest has mistakenly left.

Boots wants that sweet chair from across the street. How will he nab it while avoiding his uppity neighbor, Chad?

An antisocial veteran wakes up on Skid Row with amnesia and must use his instinctive medical and military skills to survive while being hunted by a mysterious government agency.

Brooks University freshman Grant Boyer is fascinated with joining a certain fraternity on his campus. But will the toll of the rigorous pledging process combined with campus scandal and the uncovering of chapter secrets ultimately break his will and his determination to survive?

Joana has the same dream as all young Brazilian girls in the 80s: she wants to be a Paquita, a dancer on Xuxa's TV show. Her family is wealthy, and will support her. However, there is a problem; she is black and Xuxa never had a black Paquita on her team.

Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite.As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels.

What must happen to look differently at the usual family life? The story about an Altai man was written by Vasily Shukshin in the 70s of the last century, but why shouldn't it happen in our days in Georgia.

Alligator Boots was a pilot episode for a puppet-based variety show, similar to The Muppet Show, created by Ye in collaboration with Rhymefest and the creators of Crank Yankers - Jimmy Kimmel, Adam Carolla, and Daniel Kellison. The show was developed for Comedy Central, but since they did not pick up the series, the pilot never officially aired.