There's a music band there that does "mouth music". Here, the mouth occupies all sound space, as much through the music as through the words of an invented language.

暂无剧情简介

暂无剧情简介

一个目光忧郁迷茫的人手里拿着一张皮萨饼登上了公共汽车，就在他快要坐下的时候，司机猛然踩了刹车。

In a village in Poitou, around the house of a carpenter, life flows slowly away from the din and incessant conflicts of the big cities. We are at the beginning of summer. The school year is over, and the holidays are starting. Annie, daughter of the carpenter, has for boyfriend Frédéric, very well seen by the father, and whom she has known since her childhood. Their relationships are purely platonic and the day she wants to give herself to him he refuses because the next day he has to participate in a bicycle race. Shortly after, he received his road map and had to go to military service. Annie meets Alexandre, a young snob who studied in Paris and owns a sports car. The father does not look favorably on this new relationship with his daughter. But Alexandre, while still a little silly, is nonetheless sympathetic and polite. Annie will give herself to him, curious to have her first experience in this way.

雖然阿倫雷奈早有向舞台取經的前科，也不是第一次要演員在鏡頭前劈大喉嚨高歌，《嚴禁嘴對嘴》卻是無心插柳的意外：只因籌備中的影片阻滯重重，他一不做二不休，乾脆另起爐灶打開法國二十年代輕歌劇的寶庫找題材，發掘了一齣鮮為人知的流線型香艷錯摸喜劇。大戰剛剛結束，慶幸生還的蟻民瘋狂寄情於食色性，歌台舞榭空前蓬勃，打情罵俏言不及義的娛樂大受歡迎。三對鴛鴦一間房追追逐逐，說穿了不過是甜蜜蜜的棉花糖，然而這種華麗繽紛，提供了窩心的現世安慰──要是不飽暖，不會大赤赤思淫慾。左擁愛將莎賓雅絲瑪和彼爾艾第堤，右抱下凡天使柯德莉塔圖，雷奈粉雕玉砌的飲食男女見聞錄是他近年最得心應手之作，把欲擒故縱的藝術發揮得淋漓盡致。

一座黑暗非常的剧院内，从尽头传来了剧场大门老旧的吱吱呀呀的声音。一束光打舞台正中央，身着绛红色表演服装的男子坐在舞台正中央，他消瘦的犹如骷髅一般，而且眼神中掩饰不住惊慌失措。他手里拿着一个用布缝制的娃娃，似乎原打算表演腹语。他尝试了一下，表演并不成功。于是乎这个男人抱着娃娃大发牢骚，说尽心中的苦恼。就在此时，黑暗中有一个声音将他喊停，出乎意料的一幕突然出现…… 本片为2004年法国昂西动画节开幕动画短片。

Bruno is a young misfit who has recently started working in a municipal swimming pool. While he has to take care of his girlfriend's daughter, Bruno will have to face up to some unmentionable impulses.

A Flower in the Mouth is a film diptych about time running out and how to live through the days that remain. The first act, filmed as an observational documentary in the world’s largest flower market, follows millions of bouquets transiting through a cavernous refrigerated hangar to be sold at auction, an industrial process at once both beautiful and terrifying. The film transitions to fiction in a second act freely adapted from a Pirandello play. A man with a flower-shaped tumour on his lip accosts a traveller in an all-night café. Their seemingly mundane conversation becomes a metaphysical monologue as the man, feeling death approach, clings to life by scrupulously observing its activity, watching reality in every detail, as if to fill the gap between himself and the rest of the world.

Presents a series of images, shown in short takes of more or less fetishistic imagery. After a credit and title sequence written on naked human flesh, the viewer sees Molinier standing sanctimoniously in front of a screen. Soon he is joined by a woman.