Experiencing some girl troubles, Chris might just need his little brother to help cheer him up.

The protagonists are the same, only five years older: Kocourek Kolman, mother Kocourková, mother Kolmanová and father Kolman. Kocourek applies to study graphic design at the UMPRUM. He has not been accepted twice because there is a great interest in studying at this university, only a select few are accepted. Mother Kocourková has long given up on the dream that her son will study something proper and that she will ever understand him, and so she increasingly talks to herself with a bottle of vodka. Kolman, meanwhile, is studying in his second year at the University of Economics. But instead of lectures and seminars, he is only interested in his classmates. He packs one after another. He solves his exams and credits by fraud or bribery. Kocourek, on the other hand, is conscientious and hardworking and falls head over heels in love with the enchanting Júlia, who is also applying to the UMPRUM.

A Canadian take on The Player.

Two friends are stranded after the apocalypse of Killer Cans. One day after looking for supplies, Josef finds more than just firewood, and meets up with their friend Ryan and takes him back to their camp.

A satire set during a house council meeting, where the tenants argue over the problem of taking out the garbage.

George Liquor and his nephews eat food from cans without labels.

A collection of animations in various states of production featured on the Cans Without Labels DVD.

二十世纪最重要的艺术形式之一，波普艺术的拥趸，阿拉斯泰尔·苏克将剥去波普艺术空洞、玩世不恭的表面，为观众揭示它内在的颠覆性智慧和激进理念的艺术风格。他将采用一种全新的视角来审视波普艺术大师，安迪·沃霍尔和罗伊·利希滕斯坦的大作，并追溯到这门艺术的先驱者们，包括美国的詹姆斯·罗森奎斯特、克拉斯·欧登伯格和埃德·拉斯查，以及英国的神父彼得·布莱克和艾伦·琼斯。同时，他也将揭示波普艺术是如何让那些名人、广告界和大众媒体为之着迷，并最终掀起了一次席卷全球的艺术运动。此外，阿拉斯泰尔还将前往中国，见证这里新一代的艺术家是如何在二十一世纪对波普艺术进行重塑。