A romantic tale, the story begins with Chiru (Chranjeevi Sarja) who grows as an orphan and leads a good life. But his life takes a turn with the entry of Madhu (Krithi), daughter of Home Minister (R.Raghu). Madhu is in love with Dilip, but both find it difficult to express it to their parents. Meanwhile, the Home Minister asks his PA (Bullet Prakash) to trace the man in Madhu's life. Due to a situation Madhu pretends to be Chirus's girlfriend. Chiru fights the goons and protects her and finally decides to get her to Dilip. However, Dilip is not ready. Things go twisted and Madhu feels Chiru is her choice of her life. Chiru by this time has developed a lot of intimacy towards Madhu. Finally it is as expected.

Chirunavvutho is the story about Venu (Venu) who moves to Hyderabad after being dumped by Aruna (Prema). He falls in love with another girl called Sandhya (Shaheen Khan) and proposes to her. Sandhya who is already engaged to another man rejects his proposal. How Venu wins her love is the rest of the story.

Katsuma, Poppet, Snoodle, and the other Moshi Monsters must stop evil Doctor Strangeglove and his incompetent sidekick Fishlips from pulverising the recently discovered Great Moshling Egg.

A somber retrospective on the final days of the Sakura-tai theatrical troupe that had arrived in the island of Hiroshima to begin preparations for the staging of a play and, at 8:15 on the morning of August 6, 1945, became victims of the atomic bombing, Sakura-tai Chiru is a thoughtful examination of artistic imperative in a time of uncertainty and national crisis. Using the 1987 commemorative ceremony in Hiroshima and the dedication of a memorial to Sakurai-tai at Gohyaku-Rakanji Temple as a springboard to the re-examine the life and careers of the actors (and in particular, the troupe's director, renowned film and theater actor Sadao Maruyama who had appeared in such notable films as Mikio Naruse's Wife! Be Like a Rose!), the film is composed of a series of interviews with friends, family, and colleagues (among them, Nobuko Otawa, Eitaro Ozawa, Haruko Sugimura, and Osamu Takizawa) and re-enactments of the remaining survivors' tragic fate (four actors had survived the immediate bombing - Maruyama, Keiko Sonoi, Shozo Takayama, and Midori Naka - only to inevitably succumb to death days later). The film traces the evolution of the theatrical troupe within the context of Japanese history, from its early permutation as a government-mandated propaganda tool in the 1930s, to established actor, Maruyama's creative directorship of the splinter organization, to the Great Tokyo Air Raid of March 10, 1945 that caused several (predominantly male) actors to take indeterminate leaves of absence from the troupe in order to help their families (and city) rebuild, to the troupe's decision to send out two of the four remaining male actors in order to scout for replacement actors for their August Hiroshima engagement. These seemingly mundane operational decisions - to continue with the performance despite personal hardship and wartime uncertainty - would inevitably lead to the fate of Sakura-tai in light of the tragic context of world history. Tracing the fates of the four survivors as they sought the safety of family and friends after the atomic bombing only to endure lingering, agonizing deaths from incurable radiation poisoning, what emerges from the film's harrowing and deeply personal account is a sense of exploited and trivialized humanity in the face of military aggression and inhuman politics.