The art of theater is a complex craft. In 19 minutes, you can’t convey everything that is taught over five years. Our film is only a short walk through the Lunacharsky State Institute of Theatre Arts, a cinematic panorama of three directing classes. The classes of M. O. Knebel, A. A. Goncharov, and A. V. Efros.

The odyssey of a young Cape Breton woman as she moves to the big city (Halifax) and supports herself after the birth of her illegitimate child by posing for college art classes, on her way to becoming an artist in her own right.

A group of teenagers doesn’t know what to do – should they leave their unconscious friend lying there alone, or call for help and expose themselves in the process? At the moment, the best solution seems to be calling their classmate Aistė. It turns out that getting their friend out of the ditch isn’t as easy as it seemed.

The Ache Din Institute is home to skilled stand-up comedians who present their funny acts. As teachers and students, they entertain with their hilarious skits and goofy pranks.

A group of weirdos learning survival techniques from an insane coach.

Using the example of one GITIS course, led by People's Artist of the Republic Professor Maria Osipovna Knebel, the training methods for future theatre directors are demonstrated.

在普罗旺斯的一个小村庄里，开学第一天，一个淘气学童以把书包扔进河里作为赌注，结果引发了一系列惊心动魄的冒险。 http://site.douban.com/widget/notes/6420263/note/213450499/

As everyone knows, children make no difference between social classes, skin colors or religions. But then why does Corentin, Paul and Sofia's nine-year-old son, only have friends like him at Bagnolet's school? And when his friends all leave for a private school in Paris, his parents are frightened. From now on, Corentin is the only one in his class. But the only what?

There is a director of Siamese twins who tells the story of a son who is obsessed with masturbate while listening to Chomsky and a father who is worried about his son, and his older brother, who had been directing the film, lost his mind while studying Japanese, and his younger brother, who had been only choosing books about "cognitive relativism" for the rest of his life, tried to make a movie with the story that he would inevitably catch a megaphone, but he thought it would be no fun and meaningless, so he decided to write a scenario with a distracted director and his staff, who were not sure what to do, having an elegant conversation. Yoon Seonng-ho actually started all this happening because he wanted to go out with Jang Na-ra.

In this Australian premiere production, Dan Spielman and Izabella Yena embody Hannah Moscovitch’s whipsmart #MeToo-era take on the archetypal student–teacher romance.