In each edition of the weekly program, broadcast in English and German, presenter Sarah Willis presents concert highlights, goes behind the scenes at top events and gets up close and personal with her star guests and their instruments.

This film represents a figurative view on the developments of contemporary art in Latvian modern environment by following the path of a piece of art to the audience for a certain period of time and by finding a unified system of characters in the process. One piece of art is advancing the story on the background of a previous piece, the next one is continuing it in another direction just like in a movie two shots alongside create the third one and result in another modern art object – film.

Vasily Gubanov, the son of the film “The Communist”’s hero, arrived in Moscow not on call or for a business trip. Instead, he came to raise the issue with government authorities about halting the construction of a chemical plant. Despite being the author of the project, which was in full swing, millions of state funds had been spent, and thousands of people’s lives were tied to its completion.

Salting the Battlefield, the third part of the Worricker Trilogy.

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About the fate of a communist, who has come a long and difficult life from a simple worker to the director of the largest automobile plant. The prototype of the main character was the image of I. A. Likhachov (1896-1956) - the director of the Moscow Automobile Plant (ZiL).

A look at the dysfunctional relationships of three couples as seen from the male point of view.

On September 15th 2008, the day of the the collapse of Lehmans, the worst financial news since 1929, Damien Hirst sold over £60 million of his art, in an auction at Sotheby’s that would total £111 million over two days. It was the peak of the contemporary art bubble, the greatest rise in the financial value of art in the history of the world. One art critic and film-maker was banned by Sotheby’s and Hirst from attending this historic auction: Ben Lewis.

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For one evening, the Bolshoi takes on a new challenge with audacity in The Cage by Jerome Robbins, Harald Lander’s Études and Alexei Ratmansky’s Russian Seasons.