The propaganda film follows a romantic liaison between a young woman who is a supporter of the Euromaidan, and a man who joins the Russian invasion troops in the aftermath of Euromaidan‘s success.

Documentary film about war crime — annexation of Crimea by the Russian Federation.

The main character of the film is a veteran of the Armed Forces of the USSR, the general who remained in the ranks, who once traveled from Khalkhin-Gol to Berlin, has the largest awards. A strong and reliable person who has lost his son in a war treats everyone with whom fate brings him with sympathy and understanding. One day he comes to Crimea - to those places where he used to be happy in his youth, to see the house where his family lived. There he meets an elderly woman and her two grandchildren. One of the boys, Nikolay, reminded him of his own son. The friendship begins between an adult and a child, so necessary for each of them.

The film is dedicated to Dmitry Ilyich Ulyanov, the younger brother of V.I. Lenin, a professional revolutionary, doctor and creator of the first Soviet sanatoriums and rest homes in the Crimea.

A story of the officers, soldiers and seamen who have not betrayed their oath of loyalty to the people of Ukraine during the takeover of Crimea. This is a film about a military honor, in the midst of undeclared war.

It was a fateful coincidence that in 2014, just when the Allard Pierson Museum in Amsterdam was staging an exhibition of Crimean artworks, Russia annexed the region. So now the question arises of who should the artworks be returned to? To the museums in Crimea who had been so kind as to loan them out? Or to Ukraine, perhaps, the country Crimea belonged to before the annexation? What should the museum’s director Wim Hupperetz do? Veteran documentary filmmaker Oeke Hoogendijk (The New Rijksmuseum) is just the woman for the job when it comes to turning this complex issue into an exciting film, and finding the human dimension in a tangled judicial tug-of-war. Political, emotional, personal, cultural, and historical interests all jostle for position as lawyers arguing from a purely judicial perspective present their case and distressed museum directors face big gaps in their collections. While archaeologists in Crimea continue their groundbreaking historical work, it looks like their previous finds are going to be re-buried in the Netherlands—shut off from the world in a warehouse, they are perhaps the biggest losers in this conflict.

本片片长145分钟的纪录片,详细地讲述了俄罗斯营救亚努科维奇的行动,又通过对普京以及近50位"克里米亚之春"的见证人的采访,道出了克里米亚人民选择加入俄罗斯的原因。（文/涅瓦字幕组）

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