In Mea Culpa, Christoph Schlingensief blurs a delicate line: he ignores the threshold that separates the healthy from the sick. By making his cancer the subject of an opera, premiering on the largest German-speaking theater, he is putting the art district under pressure: a wonderful institution like the Burgtheater must use its artistic resources lavishly to reveal the entire "truth" about us humans. At the end of the day, when the scenery on Janina Audick's revolving stage has finally come to rest, when Isolde's last Liebestad has been sung enchantingly beautifully by Elfriede Rezabek and indescribable jubilation breaks out, then Schlingensief is completely alone with his illness.

After being sexually assaulted by an acquaintance and incapable of dealing with the situation, a woman leaves her whole life behind and hides herself away in an isolated cabin in the mountains.

An unconventional priest is told imminent crimes during the confession. However, the priest is bound by his vows not to divulge the confessional secrets and it is only through the power of his words that he is able to prevent the worst.

Anthology series based on real criminal cases, featuring an interview with the actual perpetrator at the end of each episode.

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A typical kid from the suburbs of Rio de Janeiro starts to support the team that his idol, Neymar, plays for. To his father, this is an unforgivable betrayal.

Several years ago, a group of unknown comedians created a television humor lab called 100 LIMITE. They exposed and sliced through everything they found ridiculous with the sharp blade of satire. Today, with the benefit of hindsight, they feel the need to confess. For four special episodes, André Robitaille, Jacques Chevalier, Pierre Brassard, Yvon Landry, Richard Z. Sirois, and Ghislain Taschereau reunite for one final MEA-CULPA 100 LIMITE. Will they truly ask for forgiveness?

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