Propagate, the indie studio founded by Ben Silverman and Howard T. Owens, has wrapped production on Boy George & Culture Club, a documentary on the iconic New Wave band of the same name and its frontman, from director Alison Ellwood (Laurel Canyon). The doc is said to offer a provocative, chaotic, and impossibly fun look at one of music’s most groundbreaking bands, charting their meteoric rise to fame, dramatic split, and remarkable reunion. For the first time, band members Boy George, Roy Hay, Mikey Craig, and Jon Moss come together to share their complete story, offering candid insights into their creative process, personal relationships, and the cultural impact that defined a generation. Set against the backdrop of 1980s Britain, the doc explores how four young men formed a multi-racial, ethnically diverse, and sexually liberated band with a style and sound that challenged the status quo during the era of New Romantics and Margaret Thatcher’s Britain. At the heart of the documentary is the previously unexplored love story between George and Moss — a relationship that inspired some of the band’s biggest hits but also contributed to their eventual breakup.

A junior editor gets a nice promotion while working for a famous New York daily. With the function comes a secretary, a veteran lady accustomed in a certain working tradition. But her new boss goes on a different working culture whose motto is "Speed, efficiency and organization".

Pop Culture Beast and Ryan Stockstad review horror movies, old and new, with a focus on recommendations for your Halloween movie night.

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5 extraits of concerts from 1978 to 2003 and 19 vidéos remixed byCerroneRecognized, followed and idolized by musicicans, star musicians and lovers of the dancefloor, Cerrone's international weight is now a brand in the musical culture, a window onto rhythm, strings and synthetic arrangements. The music and video footage shown trace the disco accession onto electronic through the entire collection of Cerrone's musical video releases and disclose all of the rarest cinematographic influences of the artist's landmark-trademark ; The Visual Cliché. See how Cerrone's precursive video frames have been the use of much inspiration from the many contemporary music video producers in today's circulation....

In the concert hall where Arvid works, the room is packed for the big premiere of a concert. His sister will be performing and Arvid hopes to have his own moment in the spotlight, but the evening does not go as expected.

Shenaz travels the world, searching for unique, interesting, and just plain bizarre traditions to learn about.

Anav Kaushik, one hit film old Bollywood star and stoner, has no opinion. On Visarjan Day of 2020, Anav (Shaurya Tyagi), finds himself in an interview with his ex girlfriend Ila Chopra (Rashi Mal), a journalist who grills him about the politics in his nationalist and pro-Police State films and allegations of drug use in Bollywood. During the course of the day, the poster boy of the right, must figure a way to keep the increasing media glare away from his marijuana habit, cope with the angst of being a stranger to his ex once again, reflect upon his new hookup with potential and figure out what he wants most... when his whole career is at stake. All because of a few joints. Now, he must take a stand. Can he afford an opinion though? Inspired by fake news and true events

The film examines the case of artist and professor Steve Kurtz, a member of the Critical Art Ensemble (CAE). The work of Kurtz and other CAE members dealt with genetically modified food and other issues of science and public policy. After his wife, Hope, died of heart failure, paramedics arrived and became suspicious when they noticed petri dishes and other scientific equipment related to Kurtz's art in his home. They summoned the FBI, who detained Kurtz within hours on suspicion of bioterrorism.

The film is about the culture that has developed in public lavatories.