A crime story which take action in Riga Sea Port.

How and why feelings of depression carry over from childhood to overshadow adulthood are explained in the case of John Murray, an industrious and conscientious businessman. As his case history unfolds we see how persisting reactions to early emotional problems render him incapable of enjoying a happy, normal life.

Within the walls of a 1950s British psychiatric hospital, recorded interviews with patients expose a terrifying truth. Beneath the surface of treatment lies a horrifying secret. As fractured minds begin to speak, their testimonies converge on a single figure known only as the Shadow Man.

Four characters have to wade through the disaster that is their lives to accomplish a greater goal and get past their biggest obstacle... Themselves... with hilarious results! Lenny is in love, with just about every woman he's met and he isn't shy about telling you. Bruce's father is destroying his life by doing nothing, is it possible to make someone stop doing nothing? Bill wants to figure out how to love after his divorce, but he's completely lost. George wants to prove she isn't a giant screw-up by babysitting for her successful older sister.

“Intended as a longer film, this proved sufficient to vignette the nuances of my sadness.” (Anne Charlotte Robertson)

In an intensely personal and often surprising film for BBC Two, Depression And Me, Alastair Campbell explores if radical new treatments can stop his depression. Campbell is best known for his role as Tony Blair’s formidable and often contentious spin doctor but, away from the public eye, he has been dogged by crippling bouts of depression for most of his life. Some days, just getting out of bed is too hard. Therapy and anti-depressant medication is helping him keep his head above water - but is that really the best he can hope for? Alastair Campbell says: “I’ve been on antidepressants for years and years and none of them can stop it. I want to understand my depression and find out if modern science has any better ways of treating it. I’m hoping there’s something out there that can help me lead a happier life. “I feel we are nearing a tipping point in the battle to demolish the stigma and taboo surrounding mental illness and TV is a very good medium for bringing these issues right out into the open. I have never regretted being open about my own issues but an important part of this film is also seeing my depression through the eyes of members of my family, especially my partner Fiona. I was also keen to get out there and find out what kind of progress was being made on the scientific and research front. There is a lot going on. My worry is that we are winning the battle for better awareness but losing the battle for the services we need. "I was very pleased with the reaction to the film in Sheffield [at Doc/Fest]. One film alone cannot change the world but there is finally the focus on these issues that we need and hopefully one day we will have services to match.”

Mike Wallace, novelist William Styron and psychologist Martha Manning tell of having clinical depression.

Didem and Ayse aren't able to find a job even though it has been a while since they've graduated from the university. In this time period in which these two young women step into adulthood and need to make money now - this period of time that is short for humanity, but lingering for them - the days are not much different from the previous ones. On the other hand, in order to able to stay in Istanbul, they must at least earn enough money to cover their rent, on the other hand, what they dream of, what want to do. They cannot find a way to earn money. On the edge of the metropolis, they are stuck in between the skyscrapers rising among the terrace of their home and the ruined apartment buildings.

“One day, in the midst of an ordinary, ongoing daily life, the wife realized she was suffering from depression.” A story about Ju-hye, a wife struggling with depression, and her husband In-hyeok, who stays by her side, as they learn to comfort and heal each other’s hearts.

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