In the snow-covered ruins of 24th century Toronto, AEGIS, a humanoid war machine, leads a team of five robot-bound digital-humans into the the real world (aka the "E-X-T") to retake an enemy-occupied server installation vital to the survival of their digital home world.

A bloody thriller (sort of Agatha Christie does The Twilight Zone) morphs into its own “making of”, a really talky one - a conversation about film, about fear, about fiction. The type of film where the less you know, the better. The title is almost a malaprop - a better one would’ve been F for Fake, but it was already taken. Howard Hawks said that a great movie needs three good scenes and no bad ones. This movie has only three scenes - so there you go.

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A man suffering from writer's block finds a mysterious, seemingly all-knowing script.

电影导演莫伊最近遭遇了各种困境，命运又将他与出租司机穆斯塔法和妓女托托纠缠在一个开罗的夜晚。代表了不同社会阶层的三个人被命运带到了一起：调情、拌嘴、暧昧、吃醋、聚餐、跳舞、打斗，甚至被抓进了警察局。经历了这些之后，这三个人成为“一生的朋友”，甚至结婚成为一生的爱人。 通过一夜三人之旅，以及现实与虚构影像的互相交叠，这部公路电影展现埃及不同阶级、性别的生活习俗，反映埃及社会中存在的矛盾与问题。本片以小格局展现大现实，小而美。

以一次想象中的心理治疗为叙事框架，影片循说唱歌手 Bongor 的获奖概念专辑《EXTÁZIS》曲目为骨，虚构与纪录影像交织，剖开一个音乐人从酗酒深渊到清醒康复的真实旅程 —— 他的童年创伤、与因成瘾离世的父亲之间沉重的父子羁绊、成名之后接踵而至的诱惑、以及清醒状态下那份挥之不去的矛盾与疏离；专辑中的每一首歌都是一道打开心门的锁，而那场贯穿全片的治疗会话，正是他与自己那场永不停歇的对话。

Joseph isn't particularly happy, although he hides it rather well. The day his brother dies, the certainty sets in that life will pass him by. To ensure this doesn't happen, one evening, he gives in to his desire.

一名左右逢源的兽医，过着逍遥自在的生活。他没有预料到的是，税务部门已经盯上了他……