Initiated in 2016, this artistic endeavor brings together non-binary, transgender, and queer individuals to explore their experiences beyond external definitions, redefining identity and corporeality with their unique idioms. In Endless, these explorations unfold through various media—performance, music, and VR—culminating in a hypnotic film that resembles a narcotic vision.

一名濒临死亡的孤独男子发现自己被困在了一个名为“无尽之地”（Endless）的地方。

暂无剧情简介

Sparks fly when a humble housekeeper crosses paths with a wealthy surgeon, but a devastating truth puts their relationship to the test.

Kınalı Kar is a miniseries portraying the love stories of several people in the Turkish village of Kınalı Kar, most notably Ali and Nazar.

When a group of young people explore an abandoned mansion, they awaken the restless spirits that haunt the dark halls. Unable to hide from the vengeful ghosts of Serbia's dark past, can they find a way out before it is too late?

Zero. Winter. Ural city. A high school student is beaten on the street. He is dying. Parents experience the tragedy in different ways. Mother finds the diary. Only after the death of her son does she begin to understand how he lived. The father is obsessed with revenge and is looking for killers.

Among Tooming's filmic works, Endless Day provides perhaps the most eloquent material for investigating the radical renewal of visual and narrative form, as well as the shifting registers of spatio-social portrayals and critiques in Estonian cinema. It was banned in 1971 and ordered to be destroyed. However, the film was retained and restored in the 1990s.

一名女子在自杀未遂后回到了家乡。她努力恢复精神稳定并重新掌控自己的生活，却发现哥哥在阿拉斯加一个偏远湖泊中溺水身亡，而这似乎是一场神秘的宗教仪式所致。她对此难以置信，于是寻求一位四处漂泊的酒神颂歌音乐家的帮助，通过施展同样的仪式来寻找哥哥。

It’s 1939, and the world is teetering on the edge. On the day World War Two breaks out, a group of people discuss the state of the world in a little bar on a South American beach, far away from the front. A Brazilian communist faces off against a Portuguese capitalist; an Argentinian fascist against a Trotskyist French actress. On this remote sandbank, they all defend their ideologies that have been overtaken by reality. Parallels with the contemporary rise of extremist ideologies in Brazil (and around the globe) are hard to ignore.