Romeo Castellucci's production of Christoph Willibald Gluck's mythic opera. Concurrently via projected text, we learn the story of Els, a bedridden woman with locked-in syndrome, conscious but near-completely paralyzed. A live video feed from the hospital shows Els listening to the music along with the audience.

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I usually don't like classic operas with modernized production and costumes. This one is an exception. The modernized twist is made to fit the story very well and makes watching this opera very enjoyable. Alagna as Orphee does a great job and and is more realistic than a female singer in the role. His impeccable french is an added bonus for french speakers like me. This is the version of this opera that you would want to watch without getting bored

Commissioned by Opera North, the Brothers Quay created the installation and film 'She, So Beloved' inspired by Rainer Maria Rilke’s poem ‘Orpheus. Eurydice. Hermes.’ The Orfeo myth is re-told through a combination of art forms; film, dance, music and visual art contained within a contemporary staged installation to provide an intimate sensory experience.

Film recording of Robert Wilson’s stage production of the opera by Gluck. John Eliot Gardiner conducts Berlioz’s 1859 revision of Gluck’s opera “Orphée et Eurydice” at the Théâtre du Châtelet in Paris. Soloists Magdalena Kožená, Madeline Bender and Patricia Petibon are accompanied by Gardiner’s regular chorus, The Monteverdi Choir, and the 19th-century period instruments of the Orchestre Révolutionnaire et Romantique.

The world premiere in 1990 of an avant-garde, queer retelling of the myth of Orpheus (Tommy) and Eurydice (Dora Lee), focusing on an antagonistic couple who find themselves exploited by Orpheus's overbearing and sexually-predatory boss.

An opera in two acts retelling the classic Greek tragedy of Orpheus and Euridice, first produced in Paris in 1774

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