A solitary man's only pastime is to go to a movie theatre, the Teatro San Martín, on Corrientes Avenue in Buenos Aires. There he exorcises his ghosts.

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The life of whimsical Amélie, a reserved chambermaid, is upended by the arrival of Madame Raoul, a mysterious guest with an air of playful intrigue.

In the Fall of 1963, Lee Harvey Oswald travels to Mexico City in pursuit of a visa to the Soviet Union. At the Cuban Consulate, he meets a woman, Silvia Duran, who might be the key to getting what he wants. Based on real events.

Lambusca, a man from the State of Paraíba, Brazil, goes to São Paulo, looking for a job. But he ends up working for a group of fishy loan sharks, collecting money. In one of his visits, the debtor dies. The police then starts chasing him, believing he had murdered the man.

The noble Pantaleo Di Santa Paola has just died, and the preamble to his will is a confession in which he claims that in his youth he had a relationship with a circus rider that produced twin sons.

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A family of three moves to a haunted house. The couple's 10-year-old son runs into the ghost of the house but isn't scared. He tells the ghost that since his father is a writer of horror novels he lost fear of horror stories. The ghost then confides in the boy that he is a lonely ghost on account of the modern world focused on so many material priorities. Child and ghost become best friends, playing together, telling stories and helping the ghost pay his rent by scaring people every month.

his documentary film, directed by Javier Soto in 2004, focuses on the production history of The Devil's Backbone. It features interviews with Guillermo Del Toro, co-writer Antonio Trashorras, cinematographer Guillermo Navarro, art director Cesar Macarron, unit production manager Esther Garcia, make-up effects designers David Marti and Montse Ribe, and actors Marisa Paredes, Eduardo Noriega, Fernando Tielve, and Federico Luppi, amongst others

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