Faith vividly portrays football as a modern religion, embracing its near-sacred significance. The film eloquently and wordlessly explores the deep-rooted connection between the phenomenon of football fandom and Italy’s cultural fabric, in doing so drawing striking visual parallels with Catholicism. The film’s cohesive style and blue-nuanced colour palette, along with its keen observational eye for peculiar detail, immerses us in the heightened atmosphere of the present. As the director himself notes, ‘in no other place than Naples is the love for the profane so deeply felt that it becomes a cult, to the point that it rises to something much more precious… something sacred’.

A remake of the 2005 film "Adam's Aebler." The criminal Adamos, serving his prison sentence in a social rehabilitation community, encounters the blind devotion of Father Ivan. A black comedy with confident sarcasm, cynicism, and irony.

Henrik is young and in love and moves with his girlfriend Anne into a commune in the countryside. It is the dawn of the 70's, a time to challenge authority and experiment with relationships. Henrik is challenged too: His role as a man is exhibited and discussed, he has to learn how to sew, to sleep in the group bedroom, to share his inheritance with the commune and his beloved Anne with a lesbian.