A filmed version of Sid and Marty Krofft's 1968 live puppet show, set at a medieval fair. The special was a pilot for a weekly series.

这部作品来自从巴黎Gobelins动画学院毕业的三位学生——Augustin Clermont，Gilles Cortella，Marthe Delaporte。这是一个美好、有趣的动画小短片，一位年轻的骑士试图抓住他喜爱女士的心，从拔剑开始，最终诱发了一个愚蠢的游戏

The fun story of a father who wants to see his children, plays the role of a nanny.

This impressionistic film captures the uniqueness of life and creativity. An experimental feature comprising 40 distinct acting roles, each captured on its own 16 mm film roll, offering a kaleidoscopic mosaic of human traits that fluidly crosses comedy, drama, and documentary styles. Rather than following a conventional narrative, it presents standalone character portraits that collectively inspire creative artists to define and communicate their vision clearly.

Ivan Dykhovichny 借由对一个世纪以来的苏联和俄罗斯电影史的研究，得以评估开放政策（гла́сность）之前银幕上女性角色的呈现与演变。影片中涵盖了沙皇末期以及苏维埃时期的稀有影片，如 L. Koulechov 的《快乐的金丝雀》（Le gai canari，1929 年）、O. Rakhmanova 的《春风的故事》（Conte du vent de printemps，1918 年）、E. Slavinsli 的《少女与流氓》（La demoiselle et le voyou，1918 年）、P. Tchardynin 的《吉普赛浪漫曲》（Romance tziganes，1915 年）、S. Youtkevitch 的《花边》（Dentelles，1928 年）、Ya. Protazanov 的《41 号》（Le 41e）、E. Dzigan 的《女人》（1932 年）。该片由 Ivan Dykhovichny 与 Martine Jouamdeau 共同执导，文字部分由 Bernard Eisenschitz 撰写。

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A film-crew in the early twentieth century, the cabaret known as ‘Le Fol Espoir’ has been transformed into an amateur soundstage. The motion picture tells the story of a ship and its passengers – from the famous opera singer down to the petty criminal. The film is an optimistic political fable intended to educate the masses. There’s comedy aplenty – slapstick punches, custard pies and gags reminiscent of Buster Keaton and Fatty Arbuckle; there’s adventure, high drama moments of great bravura , and passionate love stories. The filming begins on June 28th 1914, the day of the Archiduke Franz Ferdinand’s assassination in Sarajevo, the gunpowder that sets Europe alight. It ends with news of another assassination – that of Jean Jaures on July 31st followed by the general conscription of August 1st, heralded by church bells across France. The allegory of the shipwreck is filmed at breakneck pace during the last five weeks before war breaks out.

Short from (1896)

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