Growing up in a house where her brothers are considered more valuable, İlhan decides to have a child when she learns that she is about to enter menopause. He just broke up with his boyfriend. Psychology graduate student makes a deal with Mustafa for money and becomes pregnant. İlhan and Mustafa decide to spend the pregnancy process in the village house of Mustafa's family. İlhan is distant to himself and everyone else. Meanwhile, a deaf and dumb, five-year-old Zel, who lives in the village, loses her grandmother, his only being. The little girl, who does not communicate with anyone, suddenly becomes attached to her when she smells the daffodils collected by her grandmother in Ilhan. What Zel can tell without words will open Ilhan's heart.

Moon troupe's performance.

A group of friends are led by circumstances to find themselves at the crossroads of fate.

Through the power of music, diverse individuals forge bonds, transcend barriers of race and ideology, and strive to hold a concert — overcoming conflict and chasing their dreams in the process.

In his latest film, Mekas shares what he describes as “a valentine to Yoko Ono,” done in his signature diaristic style. Mixing the familiar 16mm film with DV video, he offers a fly-on-the-wall look at intimate moments spent with one of the foremost artists of that era, including performances by Ono and new footage of her recent work—a testament to her endurance and the friendships she has made and kept over the years.

该电影以兰州新区舟曲中学为题材，反映2010年8月7日晚至8日凌晨，甘肃省甘南州舟曲县发生特大泥石流灾害，当地数万人受灾。许多幸存的孩子或失去双亲或受伤致残，然而大灾无情，大爱无疆。党中央、国务院，甘肃省委、省政府迅速实施灾后应急救援，开展灾后重建工作，为甘南州受灾学生提供优质教育和精神家园，2012年9月，博飞中学建成开学，在灾害中失去家园的舟曲的孩子们来到了这个新“家”，开始了全新的学习生活。

《地下香》是旅法导演鹏飞的处女作，导演旅法学习电影八年，曾与洪尚秀、蔡明亮一起工作。 威尼斯电影节的选片人评论道，“影片就像诗一般美丽，难以相信是导演的第一部作品。”《地下香》着眼于都市小人物的生活，把更多的关注点投向了人性中积极的一面，影片旨在向世界呈现出一个现代的正面的中国形象。

该剧讲述了民国年代两大香业家族因种种原因产生了盘根错杂的恩怨，他们彼此敌视，相互遏制，却因儿女们的情感纠葛，发生了许多让人啼笑皆非，却又感人至深的故事。

本剧改编自同名漫画，讲述了广濑樱与高中生儿子透辉度过幸福的每一天，某天透辉带来的女友叶的香味，让广濑樱想起大学时代暗恋的星井萌音。以这次见面为契机，原本平静的亲子关系逐渐发生了变化。

《野花的芬芳》是南斯拉夫著名导演卡拉诺维奇的首部长片，他在两年后拍摄了那部被选入南斯拉夫影史十佳的《佩特拉的花圈》（1980）。但真正让其在国际上一鸣惊人的还是这部《野花的芬芳》，故事与后来美国的《ED TV》和《楚门的世界》很相似，也是讽刺媒体对私人生活的侵入。 当年此片曾获法国嘎纳国际电影节FIPRESCI奖，而与其并列的正是波兰导演瓦依达的名作《大理石人》。 A television actor and his friend, a barge captain, abandon their everyday lives without a thought in this dark comedy. They do not mind that a television news crew is following them. It is with almost a sense of relief that they are overwhelmed by crowds of equally discontented people leaving their lives, who look to the camera crew to swell their numbers as their actions become part of news reports. ~ Clarke Fountain, All Movie Guide Srdjan Karanovic began his career as a director of short films and television programs. In cinema, Karanovic is a prominent member of the "Prague School" of Yugoslav filmmakers; he graduated from the Czech city's prestigious film school FAMU (in Karanovic's case, in the class of 1970). His best-known films include Miris Poljskog Cveca/The Scent of Wild Flowers (1977), Petrijin Venac/Petrija's Wreath (1980), and Jagode u Griu/A Throatful of Strawberries (1985). Also a screenwriter, Karanovic often collaborates with filmmaker Rajko Grlic. ~ Sandra Brennan, All Movie Guide