Charlotte (Mittel) moves into a secluded hillside home with her boyfriend Howard (Gunn), and soon discovers she is pregnant. But her happiness is clouded by several strange occurrences - ghostly footsteps, disembodied voices, and the appearance of an eerie, faceless woman. The encounters become more frequent and disturbing, and Charlotte is shocked to discover she is suffering from a Dissociative Fugue which has caused her to forget everything from the last nine months. As she sets out to uncover what caused her memory loss, the events of the past blend into the present - threatening not only her life, but that of her unborn baby.

Five stories of Luke's experiences with love in his life. Each story shows a variation of sexual power and its abuse which become a motif of Luke's life. The film is structured around this motion of a musical fugue.

乌克兰裔诗人米切斯瓦夫·亚斯特伦（1903 - 1983）是纳粹占领波兰时期的幸存者，他的一首诗萦绕在一名逃亡难民的脚步间。从远方展开想象，历史竟如此相似。

A private detective investigates the disappearance of an ordinary young man, Gonzalo Sánchez. Through a rigorous investigation, the detective will discover secrets that will lead him to doubt the reasons for the disappearance and the nature of Gonzalo.

A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.

A haunting meditation on memory unfolds through scattered voices in darkness, weaving together dissolving recollections and lost imagery in an exploration of life's ephemeral nature.

"Közért" (translation: "for the public") was a government owned chain of stores in Hungary, during the communist era (1948-1989). The word Közért is still used in the Hungarian language. Our film was made from the 35 mm celluloid raw footage of its advertisement: the film strips were digged in the soil, rotten with food and cut up in pieces.

一名大屠杀的幸存者和一名贫困的土著男孩刚刚去世。在流离失所中团结起来，他们陷入了移民的流动中。一个游牧赋格，他们永恒地在温尼伯荒凉的北端的裸体灵魂中徘徊。

The action of the film covers the 50 – 90s of the last century. The author refers to his childhood memories. On this basis, through the refraction of real historical events, a story grows-a reflection on the generation that lived in the USSR, on the formation of a creative personality.

Two neighbors, Louis and Coralie, have been at war with each other for years because of their different origins, French and Reunionese. Their mutual hatred is not the only thing they have in common: they also adore their respective children, who secretly love each other.