A guy on the verge of turning 40, finds himself reliving some of his worst birthday moments.

《Anne-Happy》是作者琴慈在《漫画时光Kirara Forward》上连载的漫画作品。是一部讲述以聚集了全是不幸学生的天之御船学园1年7班为舞台的喜剧。动画监督由出任过《魔法少女伊莉雅》等作品监督的大沼心担任。动画制作由制作过《悠哉日常大王》的SILVER LINK.接手。 “我可是非—常幸运的哟！”可怜的少女们今天也元气满满地展开的激励系喜剧。 背负着“负之业”即不幸的学生们所集中的班级，天之御船学园1年7班，入学到这里的是不走运的花小泉杏、悲恋的云雀丘琉璃、不健康的久米川牡丹、路痴的萩生响、桃花劫的江古田莲。 她们为了变得“幸福”而开始了高中生活，但——。

Studio on Saturn announces First Original Series titled “Happy Ending". Produced by Jeff Satur.

Studio on Saturn announces First Original Series titled “Happy Ending“. Produced by Jeff Satur.

In the heart of Binshe village, Shaoxing, an ancient tradition unfolds each year — a three-day celebration honouring a local goddess with the haunting melodies of The Story of Pipa, performed exclusively by female Yue opera artists. As the villagers intertwine myth, history, and devotion, the lines between reality and legend blur, revealing a tale where music bridges worlds and ancestral echoes linger on sacred stones.

In Happy New Year, Jinjoon Lee juxtaposes the joy of New Year celebrations with the harsh realities of war and disasters. Combining digital utopias with classical art forms, the installation calls for reflection on the tension between illusion, apathy and our shared reality. 　　Jinjoon Lee’s Happy New Year is an interactive art installation that juxtaposes the festive beginning of a new year with the harsh realities of war, disasters and climate crises. Using a game engine, Lee creates a seemingly utopian landscape, reminiscent of the positive worlds created by artificial intelligence. These serene images show how technology can blind us to urgent and uncomfortable truths, alienating us from current tragedies. 　　Lee combines contemporary technology with traditional art forms such as Korean Chaekgeori (still life paintings of books and objects), Western ‘wonder rooms’ and the Buddhist Wheel of Reincarnation, where heaven and hell and life and death constantly alternate. These references give this fictional world deeper meaning, one in which beauty and decay go hand in hand. With Happy New Year, Lee invites us to reflect on the contradictions of our existence: the longing for utopias versus harsh reality, and the apathy that arises when we ignore that reality.

我叫MR.BONE，我生活在一个满是脏丝（Zombies）的世界！在最初的混乱过后，随着社会秩序的稳定，人们从脏丝的威胁当中恢复过来，与它们共同生活在这个世界上。找到新工作的我，也在生活的轨迹里认识了形形色色的伙伴。威胁还没消除，社会也没崩盘，而生活当然还要继续。

The idea of taking a photograph anywhere, anytime and see the image immediately has become entirely routine. But in the 1940s, the concept was revolutionary. 　　Long before smart phones made instant photography possible, inventor Edwin Land created the Polaroid camera, a device that generated a sensation on par with the introduction of the iPhone if not even more astonishing. The story of how Land made photography accessible to millions of people – not just the taking of the image but developing it on the spot.