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40岁的赫利（Heli）渴望开启新生活，她为患有智力障碍的妹妹找到了一家机构。她那三个以自我为中心的兄弟同意了这个计划，他们齐聚在柏林郊外那座他们共同成长的房子里，一起度过妹妹在这里的最后一个周末。

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Cille is pregnant and Tobias has discovered that his vocation in life is to become an actor; One that can entertain and bring joy to people around him. But the optimism of the young couple is challenged by an outside world that constantly seems to keep them from living their common dreams.

With Tag der Idioten (1982), Schroeter perhaps draws upon his brief studies of psychology. The film centres around a passionate woman, Carole (played by the well-known French actor Carole Bouquet) who feels alienated and repressed by the highly institutionalised public and private spheres of Western society. Unable to extract any kind of emotional response from her reserved boyfriend, Carole seeks attention by falsely denouncing her neighbours as terrorists. With this detail Schroeter briefly touches upon the panic and paranoia that was brought about by the German government crackdown on terrorism at its height during 1977 and Carole's subsequent institutionalisation in a mental asylum can be seen as an allegory for a society wishing to suppress radical activity of any sort. In Tag der Idioten Schroeter returns to a less linear narrative structure, more reminiscent of the episodic films of his second phase. He employs numerous hallucinatory sequences in order to convey the protagonist's state of mind. Furthermore, much of the film's meaning is delivered through Carole's body, facial expressions and gestures rather than through dialogue, and the film's montage serves to create spatial and temporal disorientation. Schroeter again won the German Film Prize for best direction for this film.

一个女人经历了精神崩溃，最后住进了精神病院。

This black and white silent film with music by Helge Schneider, starring Udo Kier as a vampire and Alfred Edel as an Indian chief was commissioned by the Filmmuseum Düsseldorf to inaugurate their cinema organ. The look and feel of the film stems from the silent film era, but the camp style and over use of clichéd characters bears the trade mark of Schlingensief all over. “I love all things kitsch, like opera, and I feel inspired by music. I was interested in silent film but not a great deal”, said the director.