The building of a goélette, the wooden coastal freighter of the St. Lawrence River. Although ships of steel may replace these sturdy wooden vessels, the Jean Richard, shown in construction in this film, is still one ship built with all the old pride in craftsmanship.

Alice, an unhappy young woman in the household, is the mother of a little boy, Pierre. She falls in love with a young doctor and plans to run away with him and his son. Finally, not considering the right to deprive Pierre of his father, she gives up. Twenty years pass, Pierre has grown up, he suspects his little brother, Jean, of just being his half-brother. His suspicions gnaw at him, his mother confesses to him her past fault. Faced with this confession, Pierre will abandon the one who sacrificed her life for him.

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Three young cinephiles follow Jean Douchet, question his friends and former students. This documentary reveals the man and his critical philosophy, a part of the history of Cahiers du Cinema and this art of loving to which he has devoted his existence.

A charming woman and a mysterious young man have a shared past, but what’s the secret?

Over the course of eight years, the film draws an intimate portrait of Jean Ciesielski, a teenager growing up in Antwerp. Moving through a succession of schools and educational tracks, Jean searches for a place within a system that has defined him from a tender age. At only twelve years old, he speaks with a striking maturity and clarity that feels far beyond his years. As adulthood approaches, Jean feels an increasing urgency for change. Unable to obtain a regular secondary school diploma within his current track, he decides to change schools once more. His journey reveals how deeply the language and expectations of education have shaped the way he sees himself and his place in society. Returning to Jean at irregular intervals, the film gathers conversations, silences and fragments of his everyday life. Through the evolving relationship between Jean and the camera, a portrait is gradually crafted rather than simply observed. Unfolding in a mosaic-like structure, the film offers a reflection on the fragility and turmoil of a young identity in formation, as well as on the act of filming someone as they change.

The true story of Jean Batten is of a daughter determined to live up to a powerful mother, desperate to leave a mark on the world – and prepared to go to the ends of the earth to do so. This is the story of JEAN.

The tragic true story of Jean Charles de Menezes, the innocent Brazilian shot dead by British police in 2005 at the height of the London terrorist alerts.

电影《让·穆兰》是2002年法国出品的影片，曾在法国电视台热播过，不但引起了广泛好评，同时也创下了很高的收视率。本片讴歌了让·穆兰这位法国二战历史上著名的民族英雄英勇献身于民族解放运动的感人事迹及其传奇经历，同时也再现了二战历史背景下法国人民不屈不挠的爱国抵抗运动的真实历史画卷。影片题材严肃健康，情节曲折紧张而抓人，既有对敌斗争的严酷一面，也有爱国战士们追求爱情生活的温馨一面，同时，还有他们为了国家利益而必须舍弃个人感情的动人故事。影片通过让·穆兰和他的战友们的活动，比较真实而全面地展示了法国人民在二战期间是如何逐渐组成对付侵略者的全国性的抵抗运动，具有相当的历史真实性和可视性。 本片导演伊夫·布瓦塞是法国著名导演，早在七十年代就以其独特的拍摄手法而享誉法国影坛。他的著名影片《杜邦·拉汝瓦》不但入围了柏林电影节，同时还为他赢得了柏林电影节评委会特别奖——银熊奖。

Maigret investigates in Concarneau where the passage of a yellow dog accompanies a series of murders, sowing terror in the population. The police seem helpless. It must be said that it has no significant evidence.