The ABCinema group dispatched Jørgen Leth to make the arrangements with Prime Minister Jens Otto Krag, who good-naturedly put himself at their disposal. Relaxing on a bench in the garden of Copenhagen's Royal Academy of Fine Arts, Krag is scrutinised by camera-wielding collective members almost like a model in a life-drawing class. Every possible angle, distance and framing is tried. The result is an image of the prime minister that is both fragmented and multi-facetted, describing his visual appearance as a man and an icon. At the same time, the ABCinema members film each other filming Krag, which gives the film a highly self-reflective character. Like "The Deer Garden," this is a film about a film being filmed. A showdown with the documentary portrait genre, "Jens Otto Krag" is devised according to the principle of keeping the material alive by not editing it but randomly piecing it together. (DFI)

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In this documentary about Siw Malmkvist visiting places and people who have played important roles for the 88-year-old artist - who now has a 70-year career behind her. Malmkvist is known, among other things, for the song "Augustin" with which she won the Melodifestivalen in 1959 and, in addition to her achievements in Sweden, has also reaped success in Germany and Italy in particular.

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"Krag" is a moral tale of obsession. Bighorn sheep hunter Scotty MacDougall pursues a magnificent ram for over a decade, but at a terrible cost. Part natural history and part allegory, Seton shows the consequences of humankind's destruction of nature in a story which marks the literary beginning of the environmentalist movement. This show first aired on the Wonderful World of Disney in 1978. All animal work was done on location over a period of nearly eight months.

An independent sequel to the TV series. Here we follow the families Öhrn and Seger and take us through autumn and winter on our way to Christmas celebrations and to a New Year's Eve which inevitably means an end to the old and a beginning of something new… A film about love and death and everything in between.

Documentary about the Woman in Ingmar Bergman's Movies

A final feedback meeting is being held prior to the release of an art school's new commercial. Everyone is happy, but then a thought arises as to whether the commercial can be perceived as too white. The meeting suddenly escalates into a debate about how it happened, if it can be solved and above all - whose fault it is.

Filmed in post-war Beirut, Leyla Assaf-Tengroth's "Frihetsligan" proposes a trajectory around the city guided by an unusual little girl, hustling to find her bearings in a place that appears both hostile and inspiring.