An inspiring documentary series in which personalities at the top of their game share their knowledge and life experiences. In discussions that are midway between master class and private conversation, personalities let viewers into their lives.

Filmed in his studio in 1988, in front of Benoît Jacquot's camera, the painter Robert Motherwell, then aged 73, retraces the main creative stages of his work and describes very precisely his way of working: the importance of the choice of brush , of the support, of the paint used, the accidents which occur and which determine the work... He engages in a discourse on art in the serene atmosphere of his studio in Greenwich. He describes the principles of psychic automatism and comments on the different periods of his work to which dozens of retrospectives, including one in Paris in 1977, have been devoted throughout the world. A rigorous portrait that reveals the painter with his doubts and convictions.

安东来到法国南部的拉西奥塔小镇，参加一个暑期编剧工坊，他们将在知名作家奥莉维亚的帮助下写出一本犯罪悬疑小说。过程中需要大家去回忆感受小镇的工业历史，在这个跨种族的团队中，聪明且勇于发言的安东经常发表充满争议的言论，并与其他学员起冲突，和大家格格不入，奥莉维亚不得不将他赶出工作坊。奥莉维亚对于安东的暴力倾向既警觉又着迷，她该如何面对这个濒临崩解的集体创作，又该如何面对自己？ 电影在悬疑的氛围下，一来一往的辩论、逐渐升温的冲突，精彩反映了当代法国年轻人对于这个复杂社会的观点以及所面临的困境。影片入围第70届戛纳电影节一种关注单元。劳伦·冈泰再度与《每分钟120击》导演罗宾·坎皮略合作编剧，在拍摄地征选背景相异的非职业演员，将每个演员本身的个性注入角色中，以多台摄影机写实捕捉他们的演出。

In the calm light of a studio, a man relaxes, a woman draws. They are two strangers for whom the process of creation awakens intimacy that touches their very being. For the artist it is the need to go beyond appearances; for the model it is the refusal to look at the self. From scene to scene the film progresses, transforms, reconstructs the human interior landscape. A dramatic confrontation ensues.

A young woman comes to a remote island to get away from it all, taking refuge at a modern studio utopia. Her stay is jarringly interrupted by an acoustic installation artist. Tension between the contrasting personalities rises as differing lifestyles and expectations clash. Meanwhile nature and mysterious sheep close in on the labyrinthian house.

A rare and beautiful moment in cinema where two friends — who happen to be pioneering, legendary filmmakers from the French New Wave — meet in real life and in a virtual world. In the film, which was shot at two points between 2009-2011, Agnès Varda visits Chris Marker in his studio, a few years before his passing. She admires his magnificent mess, snooping around for details that reveal “the hidden side of Marker’s work”: a labyrinth of wires and computer equipment, a collection of images, magazines, and books, and — of course — cats. The film takes on a wonderful surrealist turn when Varda creates an avatar to meet Marker’s avatar in the online virtual world of Second Life.

暂无剧情简介

The people of the L'íl'wat First Nation record their personal narratives about their culture, history, education, and the impact of residential schools.