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Four brilliant PhD students in a cutting-edge AI program navigate intense scientific, ethical, and personal challenges as they confront both technological dilemmas and the complexities of growing into adulthood.

Fourth chapter of the "Atlas", "The Crystallization of Brasília" explores the ideia of the future as a petrified past. In an accelerated geological time, centuries crystallize in a few months in the form of a city. This process is driven by the force of mystical rationalism, who has the power to embalm ideas and social structures so that they last forever.

Fictional story based on Sarah Bernhard's visit to Brazil in 1905. The actress, experiencing a personal and professional crisis at the time, is induced by her personal Brazilian maid, Amélia, to make a performance in Rio de Janeiro. After arriving, she is forced to stand the company of Amélia's exotic sisters.

Emília Vášáryová. We know her face from newspaper and magazine covers and movie posters, yet we know so little about her. For more than sixty years, she has helped shape modern Czech-Slovak theater, film, and television, but only a few of her colleagues know the sources of her creative efforts. The film takes viewers on a journey through time, allowing them to understand the context of the actress's life and artistic endeavors.

Emilia is a 17 year old who just finished high school and now works at the local gas station. She has the dream of becoming a professional ballerina, but has never had the courage to leave everything and try. One day she finally gets the chance to audition for the last ballet company still standing in Portugal. She will have to decide whether she should try and risk failing miserably or carry on with her comfortable life, without purpose.

Guilty of loving life! A dramatization of an actual court case in turn-of-the-century Québec. A lively, outgoing woman is accused of murdering her husband in collaboration with the hired hand. The townspeople do not appreciate her robust personality and the proceedings in court degenerate to a judgment of her character. Filled with stunning visual imagery, this feature film captures the spirit of the time and place. Particularly useful for those interested in history, law or women's issues.

A simple woman finds herself trapped in a toxic marriage, living a daily journey of submission and unhappiness. With few social ties and no future prospects, she looks for a job to become independent.

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Peggy Van Praagh directs Coppélia, a ballet by Arthur Saint-Léon inspired by Hoffmann’s haunting short story The Sandman. The story narrates the adventures of Swanilda (played by the sublime Ako Kondo) and Franz (the majestic Chengwu Guo), two lovers put to the test by the magician Dr. Coppelius, a manufacturer of automaton dolls. In Van Praagh’s production, Franz falls under the spell of Coppélia, the daughter of the ill-intentioned Coppelius. Swanilda manages to save her fiancé from a sinister fate, and the two lovers marry and seal their union with a tender pas de deux. The magnificent décor of the Sydney Opera House, the sumptuous costumes by Kristian Fredrikson, and the highly theatrical nature of the ballet and the music by Léo Delibes make it easy to be swept away into this magical world!