Modern crime series, inspired by the Nordic noir dramas. The find in the Moravian woods of the body of a famous regional politician, killed in the style of the medieval torture practices and carefully arranged so as to create a weird scene, sets off a police chase of the sadistic perpetrator. The killer complicates the job of the investigation team by a series of murders which shock the inhabitants of the whole region and the investigators themselves by their cruel rituality. Efforts for finding the link between them and the current political activities bring no result, as the roots of the case are in the distant past.

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It is 1955 and the government in Czechoslovakia has declared an amnesty for post-war emigrants. Many of them returned to their families, only young Pavel Kocián's single mother waits in vain for him. Despite her protests, Tomáš Stach, an assembler, is accommodated in her flat as a lodger. Until recently, his fiancée Jana was also waiting for Pavel's return, but she has given up hope and visits Mrs Kocián only out of pity. One evening, an unknown man who introduces himself as Jonáš and claims to know Pavel visits her.

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Finding the body of the regional politician Karas, killed in the spirit of medieval torture and carefully arranged in a strange scene, unleash police hunt for a sadistic perpetrator. He puts investigation team in the way of a complex series of murders that shake the local region and criminologists themselves.

A man dying of thirst descends further down a labyrinth consisting of nightmarish Bosch-esque creatures.

A labyrinthine portrait of Czech culture on the brink of a new millennium. Egon Bondy prophesies a capitalist inferno, Jim Čert admits to collaborating with the secret police, Jaroslav Foglar can’t find a bottle-opener, and Ivan Diviš makes observations about his own funeral. This is the Czech Republic in the late 90s, as detailed in Karel Vachek’s documentary.