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The murder of a wealthy couple shocks public opinion, with the eldest son accused of killing his parents. Condemned beforehand by the press, he needs to prove his innocence.

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Younger brother of Henfil and Betinho, Chico Mário became a great guitarist and discovered in music his way of expressing himself and looking at the world.

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Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.

Raul Vasconcelos and Helena Brito founded a partnership over 20 years ago and has over a hundred lawyers in its service. Raul has an ego as big as the world and it was that self-assuredness that made him notorious in the courtroom. Besides being an astute lawyer, he’s a hopeless playboy who with age developed the tendency to say and do whatever he feels like. His trouble is that he’s constantly abusing that privilege. Helena is a confident woman, albeit more discreet and concerned about the firm's public perception, constantly considering how her actions might negatively affect the partnership and its bottom line. Her personality led her to take over managing the firm, taking care of all bureaucratic affairs. Other lawyers stand out in the firm, as is the case of Pedro Pimentel, who just made senior partner. He’s impeccably put together and has a smile that wins over most women, but behind this agreeable façade of his there’s a person with a lust for power and fame.

Mario Kubo is a quiet man. For many, he seems lost. Disconnected from the world around him, he is not doing well. On the days where we follow his life, he seems to undergo a fundamental transformation. Mario receives a letter from Japan with undecipherable content, since he doesn’t speak Japanese. Alone, he begins a journey after something that he is not quite sure what it is.

日裔巴西女导演Tizuka Yamasaki的成名作，讲20世纪初日本移民在巴西的生活，片中能看出山崎受日本电影的影响，很多场景带明显的小津风格。80年嘎纳影展FIPRESCI奖。