A dramatization of a novella by American writer Henry James. This subtle, psychologically profound story is narrated by young literary scholar Henry Jones, who, while searching for documents related to the romantic poet Jeffrey Aspern, finds himself in Venice at the end of the 19th century. Juliana Bordereau, whom Aspern sang about in his work and who owns much of his correspondence, still lives there. However, Juliana refuses to show it to Jones because these letters are the only link connecting her to life. Jones therefore decides to resort to trickery. He moves in with Juliana under a false name as a lodger and, by pretending to be in love, wins over her niece Tina, who is ultimately willing to help him. However, it soon becomes clear that such manipulation of people, even if motivated by a noble goal, does not pay off.

A television short by director and actor Stanisław Latałło.

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Peter and Eliza are vacationing in the Mazury region. After an argument with her boyfriend, the girl leaves him and goes away. Meanwhile, Eliza's father Jul, a sculptor, organizes a reunion of former members of the student theater in which he performed years ago.

The security services of the People's Republic of Poland controlled several tens of millions of letters every year. Every day, specialized units were engaged in peeling off envelopes, reading and analyzing private correspondence, which resulted in reports on social moods. The letters written during the whole period of the People's Republic of Poland - intimate, full of pain and despair, but also those with threats to power, and also those more pragmatic ones, in order to do something, became the tissue for building a poignant internal portrait of the Poles in the People's Republic of Poland - were the basis for the creation of a moving portrait of Poles in the People's Republic of Poland. The film is composed of unique archival materials.

A series of twelve "letters" from different parts of Vietnam in the days following the 1954 Geneva Conference, written in images and narrated in voice-over.

华沙市中心的一条街道成为这部机智且充满个人色彩的波兰肖像的焦点。十年前，电影制片人阿尔君·塔尔瓦尔移居波兰，但仍然难以融入。乌利察·维尔恰街，他居住的地方，并没有真正帮助他融入。为了加快自己的融入进程，他开始拍摄他的邻居，探索与他们的关系，并寻找克服自身疏离感的方法。在他的朋友莫的帮助下，另一位从移民变成电影制片人的人，阿尔君揭开了这条街道隐藏的秘密，展现了一群迷人的居民。他发现其他像他一样的人，生活在过去与现在之间，生活在想象的故乡与现实的故乡之间。这条街道像一条无形的线将他们连接在一起，为日常生活的忧郁提供了慰藉。在这段长达一公里的街道上，现代欧洲的图景逐渐显现，揭示出一个充满矛盾和焦虑的万花筒，而这位外国电影制片人则为一个常被视为同质化、不友好和政治右翼的国家举起了一面镜子。

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