当200多个世界知名商标友情出演一部动画时，就有了《LOGORAMA》。这是由法国一家叫做H5的设计工作室制作的17分钟动画短片。影片讲述在一个完全由商标构成的世界里，正义而暴力的米其林轮胎人大战邪恶的麦当劳大叔的荒谬故事。　　故事中还将包括汽车追逐、枪战、人质危机、野生动物大闹城市等等情节。比较有趣的是，H5事先并没有征求商标持有者的同意，但这200多个被使用的商标的公司都没有对H5提出异议或反对。只有一家叫Cash Converter的公司发了封伊妹儿给H5，感谢他们将自己公司的LOGO放在动画中的显眼位置。片中用各大品牌的Logo组合了一个好莱坞的花花世界，创意十足，很是新鲜有趣（各位可以考考眼力，看自己究竟能认出几个来）。

熙熙攘攘的海滨城市，正悄悄酝酿着一场混乱。某快餐店的门口停着一辆警车，两名米其林警察正坐在车里胡扯。正在这时，他们发现警方正在通缉的要犯罗纳德（麦当劳叔叔），两人迅速调转车头逼近，而狡猾的罗纳德也快速钻进他的红色卡车，与警察在车来车往的公路上展开惊险刺激的追逐战。一时间城市布下天罗地网，罗纳德走投无路，劫持人质闯入快餐店与警察对峙。突然，意外发生了…… 本片由法国一家名为H5的工作室制作，影片中囊括了两百多个世界知名商标。该片荣获2009年斯德哥尔摩电影节最佳短片奖和2010年奥斯卡最佳动画短片奖。

In the age of the brand, logos are everywhere. But why do some of the world's best-known brands find themselves on the wrong end of the spray paint can # the targets of anti-corporate campaigns by activists and protestors? No Logo, based on the best-selling book by Canadian journalist and activist Naomi Klein, reveals the reasons behind the backlash against the increasing economic and cultural reach of multinational companies. Analyzing how brands like Nike,The Gap, and Tommy Hilfiger became revered symbols worldwide, Klein argues that globalization is a process whereby corporations discovered that profits lay not in making products (outsourced to low-wage workers in developing countries), but in creating branded identities people adopt in their lifestyles. Using hundreds of media examples, No Logo shows how the commercial takeover of public space, destruction of consumer choice, and replacement of real jobs with temporary work # the dynamics of corporate globalization # impact everyone, everywhere. It also draws attention to the democratic resistance arising globally to challenge the hegemony of brands. Written by Loretta Alper

The ups and downs in the life of seven friends from Patras.

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A series of six opening logos and one closing logo produced as part of the NFB's contribution to the Ottawa '82 International Animation Film Festival.

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The Prologue focuses on the use of political propaganda shown in the cinema and the television in the 1960's and throws light on the short films cult that were exhibited before the cinema sessions in Brazil.

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