A restless security guard, Lou, is forced to decide between his job at the research facility and the fate of humanity when he is confronted by the truth of what he is guarding.

When the infamous outlaw Rudaan befriends an isolated girl raised in the wild, so begins an adventure that will unlock a hidden power within her that will change the universe forever.

Enigmatic and deceptively playful in tone, this film from Gabino Rodríguez, in collaboration with Nicolás Pereda, boldly transforms mundane, realist observations at a rural Mexican schoolhouse into fantasy and a sly comment on childhood, rituals, and race.

能够给全世界与涅洛伊战斗的人们以及背井离乡的人们带来片刻安宁与治愈的独特航空团——那就是她们“联盟空军航空魔法音乐队光辉魔女”。 与在战斗中守护大家的统合战斗航空团魔女们完全相反的航空团，身为“不战斗的魔女”的她们，通过“歌与音乐”来守护大家的笑容！

Spring is in the air, and Nicolau has just turned twenty-four years old, but he doesn’t feel like throwing a big party. He is beginning to sense that his dream of being a professional musician is falling apart, he still lives with his parents, and he pines for his former girlfriend. Though he lacks the energy to move forward, fate throws several opportunities his way to take control of his life again. With his debut feature – a sun-drenched Lisbon tale about the carefree naiveté of youth that brings to mind the films of Rohmer – João Rosas follows on not just his shorts Entrecampos (2012), Maria do Mar (2015), and Catavento (2020), in which he depicted Nicolau’s childhood and adolescence, but also the legacy of earlier Portuguese auteur filmmakers.

一行人坐着一艘船漂流在流经泰国与老挝边境的湄公河上，迎着风前行。在河的中央，女主人将骨灰撒进了河中，灰白色的粉末在河水中消逝。船在两国边境处调转头，船上的人尽力将船划回自己的世界。

A single mother and her 10-year-old son motor around the country as she makes ends meet and enters various relationships that her son has yet to understand.

这是一个夜晚失去了“光”的乌托邦城市，而一小部分的人一夜之间变成了夜光人——他们成为了城市夜晚唯一的光源。主角作为“夜光人”的一员，开始履行为陌生人进行夜间照明的职能。这个的新身份迫使她不得不在黑暗中进行探索，寻找自我的价值和意义。而当夜光人开始被抓捕时，她必须在隐藏自己的同时拯救同类。这是一场孤独的奇幻冒险，而她将独自走向这段黑暗路程的终点。

Salvador Dalí considered Luminous Procuress ‘a work of genius’. Featuring members of legendary San Francisco performance troupe The Cockettes, the film was directed by the artist and filmmaker Steven Arnold, a muse and model of Dalí's. Dalí always referred to Arnold as his 'prince', and allegedly co-produced (or at least partly funded) the film, for which he held an elaborate screening at the St. Regis Hotel in New York. Andy Warhol and numerous luminaries of New York society attended the spectacular event, and Dalí projected the film upside down, backwards and sideways. The Village Voice called the film ‘a tour de force of the imagination – a journey through peekboxes of naked tableaux, theatres of mechanical dreams, feasts of monsters and piles of humanity.’

昭和18年の冬、北海道で4人を乗せた船が座礁し、船長一人が生還した。しかし船長には、残りの3人の死体の肉を食べて生き延びたのではないかと疑惑がかかる。果して極限状況下で4人に一体何があったのか。人間の生と存在に鋭く問いかけた力作。