《尝尝甜品》把美食内容重点放在了甜品主题上，挑选与甜品主题有着强烈反差感的人物担任体验主人公，让意想不到的人来分享美食，凭借这种反差更突出地展现出甜品的美味。 在荧幕上，以反派或有震慑力的角色给观众留下深刻印象的安吉江、郑海钧、申胜奂、池晟贤四位男演员成了节目主人公。作为黑暗形象代表的他们，首次挑战去尝试充满甜蜜色彩的甜品美食，这些天不怕地不怕的哥哥们面对甜品竟有些不知所措。节目里，四位哥哥演技依旧在线，保持着反派形象和状态，前往各个甜品店，打卡品尝网红甜品，开启他们人生中的甜品入门之旅。

《尝尝甜品》将美食内容聚焦在甜品主题上，选择与甜品主题极具反差感的人物为体验主人公，让意想不到的人分享美食，通过反差感更加突出彰显甜品之美味。 在荧幕中，以反派或具有震慑力的角色深入人心的安吉江、郑海钧、申胜奂、池晟贤四位男演员成为节目主人公，作为黑暗形象代表的他们首次挑战尝试充满甜蜜色彩的甜品美食，天不怕地不怕的哥哥们却对甜品不知所措了。节目中，四位哥哥依旧演技在线，保持反派形象和状态，前往各个甜品店，打卡品尝网红甜品，完成他们人生中的甜品入门记。

吉米·普莱斯是个鲁莽的男孩，正处于职业生涯的最后阶段，他是一位双打网球运动员。当他的新搭档抛弃他时，他意识到自己在职业赛场上已经彻底断送了前程。他决定做最后一次努力，重振自己的职业生涯，走出网球世界，说服他的儿时伙伴——他关系疏远的哥哥达伦，现在是一位冷漠的代课老师——与他组队。在一个名叫巴里的11岁男孩的帮助下，这对格格不入的搭档在一场大满贯赛事中出人意料地取得了成功，并被迫重新发现他们的比赛方式和兄弟情谊。

Two estranged brothers reunite to make an improbable run at a grand slam tennis tournament. @ http://t.cn/RLJNJlq

Secvente(Sequences, reffering to film sequences) is Alexandru Tatos' quintessential film and one of the stepping stones of Romanian cinematography. Sadly, although being a critics and directors favorite ever since it's release, Secvente never managed to find a wide audience, mostly due to the limited distribution the film received during it's initial run in the communist years. This huge injustice was disappointingly never corrected and unless word doesn't spread over this uniquely original gem of Romanian Cinema, Secvente will most surely never reach the following it deserves. 　　Secvente is structured in 3 merely related parts, all concerning sequences of a fictional film that is being shot by Alexandru Tatos, Florin Mihaileanu and the rest of the crew, the film, surprising moments of the crews life both on and off set, in the vein of other fourth wall breaking features of world cinema such as Truffaut's La nuit Americaine and the films of Jørgen Leth. In fact it's impossible to tell whether a fourth wall exists during the entire movie, as the haunting sensation that the characters may jump off and start a fight in your living room dominates the final climactic sequence, a sequence that may well contain the only piece of pure Romanian humor the Cinema was ever able to preserve during those years.

马迪·费什进军网球界的故事记载了他青少年时期在著名的萨德尔布鲁克学院的训练过程，以及他与安迪·罗迪克之间的兄弟情谊和持续竞争，并介绍了他永远无法企及的前辈们：80 年代和 90 年代的美国网球偶像约翰·麦肯罗、皮特·桑普拉斯和安德烈·阿加西。2010 年，费什以人生中最好的状态在 ATP 巡回赛中脱颖而出，成为一股不容小觑的力量，并在 2011 年世界巡回赛总决赛中登顶，成为美国头号种子选手。不久之后，他的焦虑开始增长。在 2012 年美国网球公开赛四分之一决赛对阵罗杰·费德勒时，他试图克服心理压力。但是逐渐蔓延的恐惧和痛苦感一天天恶化，一切都戛然而止。费什退出了比赛，后来被诊断出患有严重的焦虑症。作为排名第一的美国男子网球运动员，他退出网球界的消息令人震惊不已，在接下来的几年里，他基本上消失于公众的视线中，在家一待就是几个月。在寻求专业帮助后，他克服了自己的创伤，并将自己所作的斗争公之于众，以帮助消除焦虑，并为其他运动员在处理自己的心理健康问题时提供一个效仿的榜样。费什后来成为了美国戴维斯杯队教练，并将他的焦虑描述为：“每天都在战斗，但我每天都在赢。”

一次偶然的相遇让两个男人联系到了一起，观众们将从头到尾感受一系列有关他们的小场景。 评论：这是独立制片人Todd Verow最好的（也是最性感的）作品之一，紧张而零星的讲述了一种复杂的关系。夏日纽约，30几岁的Sean在一个西部小村子的码头遇见了从东欧移民过来的Wolf。这看似美妙的开端，最后发展成一种强烈却不正常的关系。Wolf是一个表现的像异性恋的爱财之人，Sean是一个贫穷而且叽叽喳喳的神经质，这么两个看似不搭的人却尝试着在一起。当Sean变得极度担忧他另一半的频频缺席时，他的妄想症被嗑药唤醒了，这危及到了他们新生的爱情。他们将能否化解两人之间的矛盾而成为情侣，又或者这整个过程仅仅只是一次过度的性爱放纵？整部电影表现的很直白，但Verow在影片中添加了额外的角色、旁白，甚至是一个开放式的结局！

一次偶然的相遇让两个男人联系到了一起，观众们将从头到尾感受一系列有关他们的小场景。 评论：这是独立制片人Todd Verow最好的（也是最性感的）作品之一，紧张而零星的讲述了一种复杂的关系。夏日纽约，30几岁的Sean在一个西部小村子的码头遇见了从东欧移民过来的Wolf。这看似美妙的开端，最后发展成一种强烈却不正常的关系。Wolf是一个表现的像异性恋的爱财之人，Sean是一个贫穷而且叽叽喳喳的神经质，这么两个看似不搭的人却尝试着在一起。当Sean变得极度担忧他另一半的频频缺席时，他的妄想症被嗑药唤醒了，这危及到了他们新生的爱情。他们将能否化解两人之间的矛盾而成为情侣，又或者这整个过程仅仅只是一次过度的性爱放纵？整部电影表现的很直白，但Verow在影片中添加了额外的角色、旁白，甚至是一个开放式的结局！

Like the art cinema of David Lynch or Luis Bunuel (not to mention Harrington's most immediate influence/mentor, the long-venerated celluloid poet Maya Deren, whose 1943 short Meshes of an Afternoon clearly turned the budding filmmaker Harrington on to the medium's wider-than-imagined possibilities), Harrington's films aren't abstract so much as they, very much like a dream (the closest experience to cinema real life offers, and offered long before movies ever existed), consist of narratives with recognizable, "real" human figures and places where some kind of story is happening, except with a disconcerting adherence to their own unpredictable, irrational internal logic and sign systems. In 1946's 13-minute Fragment of Seeking, his first completed work as a mature filmmaker, a twentysomething Harrington himself appears as the bespectacled, fedora'd, trenchcoat-clad, faintly androgynous (he resembles Truman Capote a bit) young man who, when he enters through an imposing gate into the courtyard of a beautiful old ivy-covered L.A. apartment building, is captivated and led ever deeper into a mysterious realm (like Alice down the rabbit hole) by a girl who, with her Veronica Lake blonde tresses, is ravishing enough to be a starlet. As he watches and pursues her through the walkways and corridors around and inside of the building, what at first looks like voyeuristic flirtation becomes a journey into the young man's own deepest fears and desires -- a gorgeous and terrifying pulling back of the veil of surface reality for a glimpse of both his true self and that too-close-for-comfort Freudian link between sex and death. Like all of this early work, the film is more or less silent-with-score (by Ernest Gold, whose music is fantastically cinematic and integral to setting the mood of many of these these moody pictures), and Harrington uses no effects any more special than the skilled, inspired manipulation of shadow and light and a very finely honed intuitiveness at the editing table to create a world as convincing and vivid as it is removed from realism -- one with a lush, eerie atmosphere fraught with allure, suspense, danger, and dread.

有着“用全罗道饭桌平定大韩民国”之称的国民奶奶金秀美前往关岛！在热情面前，年龄不过是个数字。演员闵宇赫和徐孝琳、歌手埃里克·南（Eric Nam）和罗泰柱、模特郑赫一同亮相。这是一档关于在关岛经营韩国送餐店的节目。