Maryša, a peasant daughter, is forced by her greedy parents to marry a rich miller, a widower with three children. But she loves the village scoundrel Franck, who has no hope against Vávra. Francek goes to the army and Maryša and Vávra go to catechism with the priest. Maryša and Vávra's marriage is unhappy. The parents also realize their mistake, especially Lízal, who offers his daughter to return home. Maryša refuses and also rejects the proposal of Franck, who has returned from the army and asks her to run away to Brno with him. She chooses a tragic solution...

A village drama about the tragic culmination of a forced marriage. The film was financed by a Brno company, which required interventions in the generally known original. The reason for moving the location of the action and rewriting the dialogues into the appropriate dialect was the idea of ​​making the spectacular Vlčnov costumes more spectacular. Their distinctive color led the producers to the idea of ​​filming several crowd costumed scenes (the wedding) on ​​color material. However, the parts of the color copy processed abroad were not used in regular distribution. Another requirement was to emphasize the positive influence of the Catholic Church and have a more conciliatory conclusion.

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More than ten years have passed since the famous premiere of the equally famous drama Maryša by the Mrštík brothers at the Husa na provázku Theater in Brno. Vladimír Morávek's new staging provoked a number of enthusiastic responses as well as great indignation. He subsequently left for the theater in Hradec Králové to launch a great era of drama, which he crowned with a return to the scene of the crime – Brno.

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。

Theater in film: Maryša by Jan Mikulášek, directed by Viktor Tauš, is a thoroughly contemporary cinematic confession of a woman who has decided not to succumb to the pressure of those around her and, if she cannot fulfill her love, would rather cause death and self-destruction. A ballad about a case where preserving inner dignity is more important than life itself.

A second coming? This time our savior chose a shantytown outside Turin, in the north of Italy, overcrowded by poor families coming from the south in search of a job in a factory, or less legal ways to survive. Young Maria (Cinzia De Carolis) can predict the future during her epileptic seizures, or at least that's what everyone believes, and her mother (Clelia Matania) sells her predictions and responses to the superstitious neighbors, after inducing her "trance" with electricity. One night the shock is too strong, and Maria seems to die: when she wakes up, she is found pregnant. And being a honest unmarried girl from the south, she is obviously still virgin... Notwithstanding the opposition of the local priest (Turi Ferro), everyone, including her, believes in the miracle, and prepares for a second coming, in a crescendo of fanaticism that is soon noticed by the press, and by the official church..

María is a lonely independent girl who lives with Saúl, her single father, who is always hung-up by the lack of money. Both live in a small Mexican town threatened by organized crime. On a common afternoon, a stroke of luck will take them to embark a road trip in search of the American dream.

In search of a story, an up-and-coming journalist goes back to her home town and uncovers a forgotten tale of young love, inspiring her to follow her heart and find her own true love.