A village drama about the tragic culmination of a forced marriage. The film was financed by a Brno company, which required interventions in the generally known original. The reason for moving the location of the action and rewriting the dialogues into the appropriate dialect was the idea of ​​making the spectacular Vlčnov costumes more spectacular. Their distinctive color led the producers to the idea of ​​filming several crowd costumed scenes (the wedding) on ​​color material. However, the parts of the color copy processed abroad were not used in regular distribution. Another requirement was to emphasize the positive influence of the Catholic Church and have a more conciliatory conclusion.

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María is a lonely independent girl who lives with Saúl, her single father, who is always hung-up by the lack of money. Both live in a small Mexican town threatened by organized crime. On a common afternoon, a stroke of luck will take them to embark a road trip in search of the American dream.

In search of a story, an up-and-coming journalist goes back to her home town and uncovers a forgotten tale of young love, inspiring her to follow her heart and find her own true love.

Shot in black and white by the Warholian Factory "icon" Gerard Malanga, American actress, author and figurative painter Mary Woronov confronts the camera with a whip.

Not only did Mary Tyler Moore “turn the world on with her smile,” as her show’s theme song declared, she also influenced a generation of women to become more independent and to pursue successful and fulfilling careers. Moore’s own 50-plus-year career has spanned award-winning films and Broadway shows, as well as two beloved television series that broke ground and continue to entertain viewers. ​ This one-hour special includes highlights from a recent interview with Mary Tyler Moore, tributes from her co-stars and clips from iconic moments throughout her career. The program looks at her breakthrough role on The Dick Van Dyke Show, her iconic turn as TV's first independent career woman on The Mary Tyler Moore Show and her Academy Award-nominated work on Ordinary People.

A theatrical impresario tries to win a bet with a psychiatrist over the production of a perfect baby.

Mary Pickford's name remains inseparable from the legend of American cinema. She invented the star system at the beginning of the 20th century, and was the biggest star ever known, not just in Hollywood, but worldwide, at a time when actors didn't even have their names on movie posters. She was more than a pioneer, she was a jack-of-all-trades: world-famous star, producer and formidable businesswoman, screenwriter and director in the shadows, studio boss, Mary Pickford alone embodied the entire legend of cinema and the advent of women in that particular era.

This time Moore portrays 40-something divorcee Mary Brenner who, after the fashion magazine she was writing for goes out of business, is reduced to writing a consumer-assistance column called Helpline for The Chicago Eagle, a seedy tabloid.

After Mary Tyler Moore's long running sitcom ended, she tried to venture in comdey-variety. This was one of her attempts. It follows the same formula used in such shows like Carol Burnett. There are comdey sketches and musical numbers. And also there are behind the scenes, sketches, wherein the cast are not at work, and there is either a comedy routine and/ or musical number, usually done by Mary.